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A romance between two young office employees is charted across its roller-coaster duration in this one-of-a-kind tale of love and heartbreak. Joseph Gordon-Levitt plays shy greeting-card writer Tom who quickly becomes smitten by the effervescent new girl in the office, Summer (Zooey Deschanel). As their relationship takes off, the film jumps around to important moments in their 500-day affair--a journey that takes the pair in unexpected directions. (Home Box Office)

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Marigold 

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English Someone else wrote it… doesn’t make it any less true. A beautiful, nice, poetic and extremely brisk film, where romance can both caress and bite until it breaks the skin... just like in life. Perhaps the conclusion could have been a little less of a fairytale. However, (500) Days of Summer is a fairytale, but this fact does not take the cute banal force out of Webb's film. Probably the biggest surprise of last year from the American mainstream. ()

3DD!3 

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English A nostalgic ride into the past, when all this stuff still meant something. Marc Webb turns the tables skillfully and doesn't forget to add the bad to the good. Joseph Gordon-Levitt is excellent as the idealistic young man who one will day become a dad who will watch 500 Days of Summer on TV because Disney+ told him he might be interested. ()

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gudaulin 

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English I'll admit, I rarely watch romantic movies anymore because, in that stereotypical whirlpool, there are only very few titles worth watching. The vast majority of those genre pieces are made as if following a template and differ only slightly in doses of naivety and, when it comes to teenage matters, even in the level of tastelessness. (500) Days of Summer really stands out from this flood because it has honest craftsmanship and a few decent ideas as well as pleasant casting. But from my perspective, it's by no means a cult film. It was allegedly a huge hit at the Sundance Festival, but any major studio could have easily financed this Webb film. In fact, it is purely a mainstream affair. If stars were given for the best mainstream romance of the year, (500) Days of Summer would probably win hands down, but that's not how it works for me. It differs from the usual productions mainly by the fact that the screenwriter admitted that not every romantic love ends in marriage, but if they want to sell me these discoveries, they should turn to someone else with such banalities. After two days, I can only remember very little from the film. It's pleasant enough for one viewing, but nothing more. Overall impression: 60%. ()

EvilPhoEniX 

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English I watched this film more out of curiosity due to its popularity, but I honestly didn't see anything special about it at all. It is hardly funny, not intelligent or entertaining enough to grab your attention. Joseph Gordon-Levitt is likable, but Zooey Deschanel was an ugly bitch whom I found very unlikeable, I didn't really root for their strange relationship. It didn't sit well with me. A run-of-the-mill unremarkable romantic drama like any other. 55% ()

Remedy 

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English You can feel the tremendous energy from the start, it's charmingly imaginative, very sensitive, and very "communicative". What's also interesting is the kind of haze of mystery and uncertainty you'll want to share with Joseph. I almost didn't even breathe during the expectations/reality scene, because it was so evocatively delivered, thanks to Marc Webb's skill and sensitivity, it had quite an archetypal effect on me (and of course, purely personal memories came up for the occasion). I also liked very much how balanced it was in terms of content (or information) – on the one hand, it thoroughly demonstrates the positivity and pleasant things that come out of falling in love (the dancing, going to work scene was without flaw in this respect) and on the other hand, the subsequent huge inner mess is depicted fittingly, perhaps at times a bit violently. The seemingly unformulaic treatment also added some points to the result, so at this point I'm not afraid to include (500) Days of Summer among what I consider high-quality and tasteful among romantic films. ()

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