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With stunning special effects and gritty realism, the film plunges us into a world where the aliens have landed... only to be exiled to a slum on the fringes of Johannesburg. Now, one lone human discovers the mysterious secret of the extraterrestrial weapon technology. Hunted and hounded through the bizarre back alleys of an alien shantytown, he will discover what it means to be the ultimate outsider on your own planet. (official distributor synopsis)

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Reviews (13)

Isherwood 

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English There was a loophole in Hollywood, and a guy who is no stranger to the word "compromise" slipped into the A-list mainstream. I’m glad Peter Jackson gave Neill Blomkamp the chance to make an incredibly engrossing and captivating sci-fi for a ridiculous thirty million. The film squeezes out the subject matter to the last drop, and then there are the special effects sequences. The feeling of "this is how it might actually happen..." beats the viewer over the head in every scene, and yet it doesn't falter in its pace. Objectively, I could ask several "why and how?" questions, but subjectively, I was ecstatic the whole time. If Blomkamp really does make a "Halo" movie, I want to see "Hal-Life" from him too, the guy’s got what it takes! I hope he succeeds. ()

J*A*S*M 

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English I resisted the seductive call of the DVDrip so I could watch this film for the first time in the cinema, and now I can say that I would have been furious with myself if I had missed it. Neil Blomkamp delivers a great science fiction film, the best in recent years (and what’s nice is that this isn’t the first time this year that I say this, and maybe not even the last, re: Moon and Avatar). I respect the radical style change between the first and second halves, but I loved the first half better because it’s something incredible and never seen before in the genre and in this form. Rather than to Cloverfield, District 9 is more similar to the unknown Japanese horror film Noroi the Curse, which keeps the documentary format uninterrupted for its entire runtime. The events of the second half could not be captured as a “documentary”, that was very clear to me. Even though it reaches its “WOW” peak somewhere at the beginning, the rest of film is so striking and breathtaking that it was a joy to watch. The occasional lapses in the script are easy to ignore – they aren’t as big as I’ve read in some reviews. I recommend it. Edit: The second viewing brings the rating down to four. ()

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DaViD´82 

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English The prawns would probably love Whiskas, but personally I would prefer to pay entrance for a movie that had it clear in its head whether it wants to be a sloppy B sci-fi where the worse it is the better, or E.T., Transformers, Children of Men or War with Newts. I’m not saying that it can’t be combined into one whole, but certainly not by forcibly changing genre every quarter of an hour, forgetting about everything that has come before and shaking a stolen closed circuit camera around like a maniac. I followed the trend presented by Blomkamp and within fifteen minutes I forgot that I had ever seen this movie. ()

gudaulin 

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English To be honest, things have been going downhill for the sci-fi genre for a long time, at least since the famous Star Wars films by Lucas. Too often, both viewers and creators confuse it with the popular fantasy genre, which is much easier due to its fairy tale themes. Pure sci-fi films are rare and are often made according to a certain template, for safety reasons. Blomkamp's District 9 is a very pleasant innovation and a combination of several subgenres into one spectacular and satisfying spectacle. In its essence, it is a simple story in the style of a straightforward adventure, interwoven with many action elements of classic sci-fi, spiced up by a documentary introduction and an interesting anti-hero in the lead role. Sharlto Copley does not look or act like a positive character for most of the runtime; instead, he acts like a cynical opportunist (the scene of the "abortion" of an alien newborn) who is primarily trying to save his own skin. The main motif of District 9 is the racial segregation of different ethnicities and cultures - it is no coincidence that the director placed his story in South Africa... In addition to the cramped environment of South African slums, there are dynamic camera shots that capture action scenes without the viewer losing track for even a moment, unfamiliar actors who are trying their best, a range of directorial ideas, raw dialogue, and overall creativity, which make District 9 look more attractive and visually impressive than many genre counterparts with much higher budgets. The fast pace and tension allow the viewer to overlook certain logical errors (one can only envy Wikus for how quickly he learns to control the combat robot with alien technology) and shortcomings. Although District 9 may not be at the absolute peak of the genre, it is still my nicest cinematic surprise of this year... Overall impression: 85% ()

novoten 

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English Documentary preview spoiled by senseless perspectives "outside", bizarre exaggeration of side lines and glaring logical absurdities. Plus one solid action scene. This script simply hit a wall after ten minutes, as it unfolded into pig soldiers, insane scientists, and ritual-thinking Nigerians. Additionally, the only likable character is the backgrounded alien Christopher, who outshines the selfish Wikus in almost everything. Every battle clash must be accompanied by some bloody effect, prostitutes sleep with aliens (??), and Blomkamp clearly hits the taste of the audience and critical majority, who applaud him for the gritty atmosphere. But it does nothing for me, so for those few solid (although quickly drowned) ideas, just like this. ()

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