District 9

There was a loophole in Hollywood, and a guy who is no stranger to the word "compromise" slipped into the A-list mainstream. I’m glad Peter Jackson gave Neill Blomkamp the chance to make an incredibly engrossing and captivating sci-fi for a ridiculous thirty million. The film squeezes out the subject matter to the last drop, and then there are the special effects sequences. The feeling of "this is how it might actually happen..." beats the viewer over the head in every scene, and yet it doesn't falter in its pace. Objectively, I could ask several "why and how?" questions, but subjectively, I was ecstatic the whole time. If Blomkamp really does make a "Halo" movie, I want to see "Hal-Life" from him too, the guy’s got what it takes! I hope he succeeds. (09/20/2009)

One of the smartest movies of the year. It's not so much the idea, but rather the way Blomkamp updated the genre. District 9 has everything one can ask for from dejected offshoots, moreover in a completely sophisticated package. And the idea of using a documentary not only as an authenticating component, but above all as a means of explaining abbreviations, simply deserves recognition. (09/23/2009)

Documentary preview spoiled by senseless perspectives "outside", bizarre exaggeration of side lines and glaring logical absurdities. Plus one solid action scene. This script simply hit a wall after ten minutes, as it unfolded into pig soldiers, insane scientists, and ritual-thinking Nigerians. Additionally, the only likable character is the backgrounded alien Christopher, who outshines the selfish Wikus in almost everything. Every battle clash must be accompanied by some bloody effect, prostitutes sleep with aliens (??), and Blomkamp clearly hits the taste of the audience and critical majority, who applaud him for the gritty atmosphere. But it does nothing for me, so for those few solid (although quickly drowned) ideas, just like this. (11/06/2009)

In a word: Amazing. In more words: The way that District 9 rubs shoulders with all the recent sci-fi "sensations" like Transformers, Terminator Salvation and, ultimately, Avatar is astounding. I haven't seen such an original film, full of fresh ideas, engagingly shot and, as far as the main character is concerned, superbly acted in a long, long time. It takes more than ordinary talent to make a sci-fi action spectacle that also contains a deep, topical and a very pressing idea. And Neill Blomkamp seems to have plenty of it (Jackson knows who to put his money into). To all this I add the exotic South African setting, the music, the flawlessly made aliens and the documentary style that really draws you into the story... This amounts to five honest, 100% stars. (08/18/2010)

I resisted the seductive call of the DVDrip so I could watch this film for the first time in the cinema, and now I can say that I would have been furious with myself if I had missed it. Neil Blomkamp delivers a great science fiction film, the best in recent years (and what’s nice is that this isn’t the first time this year that I say this, and maybe not even the last, re: Moon and Avatar). I respect the radical style change between the first and second halves, but I loved the first half better because it’s something incredible and never seen before in the genre and in this form. Rather than to Cloverfield, District 9 is more similar to the unknown Japanese horror film Noroi the Curse, which keeps the documentary format uninterrupted for its entire runtime. The events of the second half could not be captured as a “documentary”, that was very clear to me. Even though it reaches its “WOW” peak somewhere at the beginning, the rest of film is so striking and breathtaking that it was a joy to watch. The occasional lapses in the script are easy to ignore – they aren’t as big as I’ve read in some reviews. I recommend it. Edit: The second viewing brings the rating down to four. (09/17/2009)