Transformers: Dark of the Moon

I will divide Transformers 3 into three parts: 1) the dialogues, 2) the action set pieces (the motorway and the skyscraper), and 3) the remaining filler. Thumbs up for 2), but for 1) and 3) Bay deserves to have his ass kicked. Otherwise, I hope that this third part puts an end to this insult to science fiction (yeah, I know, I don’t have to watch it, but as a sci-fi fan, I was again unable to listen to the warnings that said: “Don’t watch this bullshit!”). (12/29/2011)

Dark of the Moon is another of the fantastic highway action flicks that are becoming the director’s most reliable trademark. The spectacularly flying marines, following the example of The Dark Knight’s flight in Hong Kong, and the final action inferno in Chicago are pure action pleasure. For a Bay movie, it is also unusually easy to follow. But the rest of the running time, i.e. at least half of the film, is humorless, boring and at times annoying like never before. John Malkovich’s character is horrible, and watching Frances McDormand and John Turturro making idiots of themselves goes beyond the limit of the audience’s endurance. And in which television mini-series did they find Patrick Dempsey and Rosie Huntington- Whiteley? Megan Fox, we miss you. I will probably burn in hell for giving the third Transformers the same number of stars as Trier’s Melancholia, but what can I do? Michael Bay is a talented commercial creator, sold out to the US military, US government and unscrupulous corporations, while embodying the glittering shine and the technical insurmountability of Hollywood possibilities. Take his camera away and we won’t have anyone to hate and admire at the same time. (06/30/2011)

Finishing epic trilogies is traditionally an ungrateful job. Michael Bay managed to bring Optimus, Bumblebee, and the other Autobots to the end of their journey in the weakest installment, but that is not a disgrace after the mesmerizing first film and the fairy tale-mythological sequel. The third Transformers are occasionally funny, occasionally less so, occasionally frightening, but above all, they are so grandiose from about one-third of the runtime that it almost tears apart all the senses. What unfolds in Chicago is an audiovisual experience that leaves the viewer stunned all the way home. But what elevated the entire trilogy for me is mainly the fact that this story was never about the largest number of scrapped metal. Yes, it will always be a battle between Autobots and Decepticons, but many people forget that amidst all the adventure, a young boy grew up. The one who first rode in a yellow Camaro three films ago and ultimately saved the world because of it. Three times. (07/12/2011)

The first major 3D contribution to world cinema: Michael Bay gave up the epileptic editing and the unbearable firing of detail. The action in T3, on the other hand, is often captured in one round-up, in slow motion, resulting in both a magnificent visual aspect and a well-moving camera. Moreover, with some relief, I must say that the unbearable fragmentation of the second film and the ridiculous attempt to turn the Transformers into a metaphysical myth have disappeared. The third film is a completely pure Bay film - the first part is still carried in the classic robot score, the second one gets a little rougher and serves up a Bay-style alien invasion. You won't find greater tricks far and wide, and by finally appreciating the director's ability to tame a giant screen thanks to the epic whole, it must appeal even to hardened skeptics. Everything else is more or less useless, although some of the sub-jokes are good and pave the way for the film to establish a reign of heavy-weight pathos. All those heroic ceilings, compositions with stars and stripes, and due to bad dubbing even guilty pleasure pathos. This is Bay how the mainstream needs it. The last of the Mohicans of high-budget idiocy, protector of clichés, destroyer of invention. I could give 4*, but when I think back on the amused smile and slightly dropped jaw from the visual, T3 is exactly the kind of blockbuster that makes me appreciate things like Thor or X-Men: First Class. With all due respect, Mr. Bay: *** (06/27/2011)

Wow, Michael Bay uses long takes (well, by his standards, don't expect any De Palma rides) and it's one of the best ideas he could have gotten. Similarly, the cameraman has apparently stopped or started drinking and his hand no longer shakes as if he has Parkinson's. This makes the action scenes in Transformers 3 really spectacular and clear. Seriously - compared to the previous two films, this time I even knew which robot was hitting which every time. So that would be the biggest plus. Another positive is the first twenty-five minutes or so of the film dealing with the moon and Chernobyl. Negative aspects? Everything else. Especially the script. It's not so much that it's stupid, I expected that, it's just that it's terribly boring. I mean, almost nothing happens in the first hour and a half (except for the aforementioned beginning), for God's sake! What about John Malkovich and Frances McDormand's characters? Completely unnecessary. Neither of them needed to be in Transformers, not to mention the main character's new girlfriend is as attractive as she is unlikable. At least the action ending was good and there was something to watch in the movie theatre. (07/18/2011)