Halloween

The opening scene is spectacular, though it appears too modern in the contest of the rest of the movie. Also, I would prefer for the ending to be more psychologically intimate and dark. Still, it turned out to be the best it could be. Because it absolutely pays tribute to the original and succeeded in the most important thing – using the same camera shots and music – it brought me back to the same streets, backyards, hallways and rooms, to the same place with the unique atmosphere that once defined my weakness for this amazing film subgenre. And that was a hell of a delight! (10/14/2018)

Mad killer Michael Myers is free and goes after Laurie Strode, who escaped him on his first spree. She's a mental wreck, but she's been preparing for this confrontation for 40 years. Only one can survive, but anyone can die... The new Halloween follows in the footsteps of the original one, refusing to conform to new trends and contemporary styles. It's old-school, unafraid to build tension for long, knows how to get under the skin and refuses cheap violence. Instead of gratuitous brutality, it relies on uncomfortable chills, excellent actors and the most traditional "Halloween" scares in the style of the classic first film. If you want modern horror, look elsewhere. But if you're a fan of Carpenter's film, you couldn't possibly get anything better in the cinema. (10/17/2018)

Meta Halloween 1978 meets #MeToo2018, and it's bloody good and surprisingly old-fashioned. If it wasn't for the noticeable loss of pace during the overlong finale, and the reprehensible underutilization of the potential of the "new Laurie" with an equally sounding screamer, it's on par with the first one. (10/16/2018)

I only saw the first Halloween, and now this sequel. It’s a great sequel. The creators (very surprising to me) have preserved Carpenter's uncompromising vibe without me feeling like they're just copying it, and everything is in its place, everything has (within the genre of course) logic, justification, reason... call it what you want. And Jamie Lee Curtis is admirable. She managed what Linda Hamilton failed to do in the last Terminator, namely to bring back an iconic female character to the game and not simply rely on her being an iconic female character. Having given a full rating to the original film, I don't see a single reason not to give it this time as well. (11/23/2020)

The sequel that the original Halloween deserved. If we assume that making a sequel four decades later is a good idea, I can’t imagine how it could have been done better. On the other hand, I also have no idea what would have to happen for a thoroughbred slasher to truly excite me in 2018. In an era when prime horror films are not only scary and superbly crafted, but also try to go a bit further, the simple slasher movie is inevitably a step lower. Proof that Halloween, and the sub-genre as a whole, is a relic from the past can be seen when the creators, in a surprising twist, attempt to deviate a little and address the unhealthy obsession of the public with horror icons, which in a slasher movie is a bit too much. Though it does make sense conceptually and fits into the logic of the plot, I cringed at the screen because I was watching something that had no business doing in a slasher flick. Other than that, it’s really brilliant. A masked killing machine immune to psychological analysis, American suburbia and scared teenagers. The moment when Alysson sees her friend skewered on the fence and runs hysterically down the street is the closest to the sheer terror of the original film. (10/20/2018)