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Earlier tonight, a bizarre disease was unleashed in a run-down Los Angeles tenement... and no one got out alive. Yet something escaped. Now, aboard Flight 318, the first symptoms begin to show. As the infection begins to takes root, innocent passengers suddenly transform into terrifying, bloodthirsty killers. Forced to land at an isolated terminal, and surrounded by armed government agents, the crew and passengers grow increasingly desperate. The only question now is how far they will go to survive. (Sony Pictures Home Entertainment)

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J*A*S*M 

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English Quarantine 2 is a great example of how low expectations can make a film good. Where the Spaniards delivered a playful, original and completely different sequel, the Americans went another way. They changed the setting (though I believe that if the story took place only on a flying plane, with a good screenwriter it could be a lot more interesting), they didn’t use the Blair Witch style (which makes the film a lot more run-of-the-mill) and they took the mythology in a different direction. And yet, Quarantine 2 is more similar to its predecessor than REC 2 is to REC 1. If it was an ambitious film, I wouldn’t be satisfied, but considering that it was supposed to go straight to video (and that cinemas got only a ridiculously limited number of copies), it should be compared to stuff like 30 Days of Night: Dark Days or Mirrors 2, and from it, Quarantine 2: Terminal comes on top. ()

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