The Imitation Game

I have no idea how much the film plays with the facts and what it fabricates, but it doesn't really matter because it's a pretty good story, and that's what matters. There are great characters here, with Benedict Cumberbatch quite expectedly leading as one of the best British actors of today. Or is he already? I like that the film has a broader relevance beyond the war subject. (01/12/2015)

Turing's Pure Soul that pays special attention to the (least) interesting aspects of his destinies (and when it pays special attention it is done in the style of cliché advertising like "when he goes, we also go" or "hurray" etc.) to sideline the most important and disproportionately interesting events which is strange. As a result, Cumberbatch's performance is particularly interesting. Not so much the performance itself (though this too) as in the context of his crucial roles, when after having performed characters of Hawking, Sherlock and Assange, this is already the fourth time when he plays similar role on paper, the archetype of the role of a "odd duck" genius, without in any way (or just a gesture) repeat the same performance over and over again. (01/30/2015)

Valkyrie, but for the ladies. A less dramatic and slower film, yet still comprehensible than A Beautiful Mind, for instance. Benedict Cumberbatch excels and the is script's playful, precise, and interesting. It only becomes pathetic and descends into sentimentality when Keira Knightley starts flirting. (02/12/2015)

An unenthusiastic 70%. The Imitation Game is the kind of film that every Oscar season must have, a well-executed real-life story about someone exceptional. This time we have Alan Turing, genius mathematician, rather asocial weirdo, and gay. Rather than the building of Turing’s machine and the breaking of the Enigma code, I was captivated by the moral dilemma related to the impossibility to use the broken code to save lives (they could have dedicated more time to that) and the way society treated a hero who happened to be different. Overall, it’s a good film, but I liked Tyldum’s previous thriller, Headhunters, a lot more. (01/14/2015)

An impressive piece of craftsmanship where weaknesses are hard to find. But that's probably because in a biopic of this calibre that from the beginning aspire to get golden statuettes, mistakes are not allowed. The film is admittedly a very cold, emotionally detached account of a significant period in the life of its equally cold, brilliant hero, who comes across as overly mechanical thanks to the performance of master Cumberbatch, who goes through the entire story with the unchanging expression of a "mathematical nerd", but at the same time it’s an extremely honest, sympathetically old-fashioned genre film that fulfils almost all the prescribed cinematic formulas, including that of Cumberbatch's speech, for there is probably no more believable portrayal of a mathematical nerd. But praise is also due to Alexandre Desplat, the set and costume designers, and especially Mr Turing himself, whose greatness, thanks to this film, I can no longer doubt. 80% (02/15/2015)