Take Shelter

Heavy paranoia in a film completely different from the mainstream, both in the management of the actors, the grouping of the mise-en-scene and the concept of the script (the unpredictability!). The calm before the storm is impressive though extremely viewer-unfriendly (I would compare it to something along the lines of nails scratching a blackboard). It’s completely out of time and space, and thanks to the small-town redneck feel at every turn, you don't know if the film is set in the present day or 20 years ago. An interesting low-budget film and Michael Shannon is a first-rate psychopath. (09/25/2015)

The best of the American indie scene of the last few years. I love it when as a viewer I don't know what I'm in for, and when the director plays with me like a cat with a mouse. That's exactly what this film does. It's extremely atmospheric, full of paranoia and growing fear, where at the beginning you don't know if the main character or his surroundings are crazy, but thanks to your logical reasoning you gradually lean towards the more "sensible" option, only to come to a conclusion that's like a punch in the face. And Michael Shannon deserves an Oscar. (01/27/2013)

This got to me. A game with the viewer on the border of panic, paranoia, stealthiness and self-flagellation. A motif of uncertainty built by an unreliable narrator and layered hints, so that one is trapped somewhere between reading the film as a social-family drama about erupting schizophrenia and a chilling apocalyptic parable about a decaying world. The two planes are perfectly connected, and thanks to this, the conclusion (however on the edge) feels appropriately mystical. Elegantly, without awkwardness and with ease, Nichols filmed something that M. Night Shyamalan has been pathetically trying to film for years. A film about foreboding, fear, vulnerability and the end of civilization, a smooth rendition of many disaster visions and feelings of the near demise of the world as we know it. This film is a major event in both the thriller and psychological drama genres. (06/26/2012)

A very disturbing drama about an emerging mental disorder (or maybe not exactly, but let’s not anticipate) and the subsequent disintegration of the hitherto quiet family life. Michael Shannon is stunning in the lead role, and Jessica Chastain comes close. Hats off, especially for the character Jessica plays, who, even under the stress of tough life challenges, stays strong and stands patiently and lovingly by her husband. Some of the dream sequences are not far from the realm of horror, and Shannon’s maddened state is very uncomfortable to watch. The whole thing inevitably foreshadows a really unhappy final scene, and makes for a two-hour instant depression treat. [KVIFF 2018] (07/02/2018)

Facing the captivating depths of madness through the thunder in Ohio… Hard to say what to praise more. Whether an unprecedentedly magnificent tangible subliminal tension, Shannon's performance as a true family-based hard worker who realizes that he's almost certainly succumbing to schizophrenia, but "what if he doesn't". The result is the most disturbing, most realistic and, last but not least, by far the best film version of the biblical story of Noah. I have perhaps the only minor complaint related to the conclusion. This is a type of movie that can only end in two ways. And Nichols went the way of being more cinematic and stylish. However, I cannot shake the feeling that the latter would get even more under the skin and would be richer in terms of interpretation. (12/12/2016)