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Working together for the 12th time, John Wayne and director John Ford forged The Searchers into an indelible image of the frontier and the men and women who challenged it. Wayne plays ex-Confederate soldier Ethan Edwards, a believer more in bullets than in words. He's seeking his niece, captured by Comanches who massacred his family. He won't surrender to hunger, thirst, the elements or loneliness. And in his obsessive, five-year quest, Ethan encounters something he didn't expect to find: his own humanity. (official distributor synopsis)

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lamps 

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English An excellent thoroughbred western that combines proven motifs from the golden era of the genre that preceded the rise of Sergio Leone with a timeless tale of unrelenting desire for revenge and the preservation of family honour. Ford directs his masterpiece with meticulous precision and across a vast narrative expanse, from the nostalgic Monument Valley to inhospitable snowy plains, from the humour and array of wacky characters to the cold-blooded doggedness of Wayne Edwards, he manages to serve up an unexpectedly complex, stylishly shot and emotionally varied western experience. There are some flaws, of course, the dialogue is very stilted and the climax completely lacks Leone's unmistakable atmospheric charge, but as a classic of a specific branch of cinema, where (white) justice triumphs and (red) evil falls under a shower of lightning bolts, The Searchers works very well even today. And for anyone who doubts the acting qualities of the legendary John Wayne, this is the film that will completely disabuse them. 80% ()

kaylin 

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English John Ford and John Wayne show that it is possible to make a Western that is dramatic, but without any humorous elements. What is even better is Wayne's character, which is not his usual type, as it delves much more into darkness. I almost regretted that the script didn't go even further, but the fact is that Duke couldn't do that to his fans. Still, this is a great Western. ()

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