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Russell Crowe stars in a spectacular reimagining of the apocalyptic story of the great flood. When Noah (Russell Crowe) experiences visions of a catastrophic deluge, he seeks advice from his grandfather Methuselah (Anthony Hopkins). Methuselah reveals that the disaster foretold is God's punishment for man's corruption of the world. It is Noah's destiny to construct a vessel to save the lives of the innocent. Together with his wife Naameh (Jennifer Connelly), their sons Shem (Douglas Booth) and Ham (Logan Lerman), and family friend Ila (Emma Watson), he sets about building a giant wooden ark. But the terrible impending flood is not the only challenge Noah faces. A violent tribe of warriors led by his nemesis Tubal-cain (Ray Winstone) want the ark for themselves! (official distributor synopsis)

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Reviews (13)

POMO 

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English Noah is a historical epic without a clear target audience, combining pop elements from family fantasy movies with depressing psychological scenes in which the blade of a knife hovers above a toddler’s head. Ugh. It is visually beautiful with incredibly contradictory content. It’s been a long time since I saw film that I so much don’t want to see again. ()

D.Moore 

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English I liked the comic book (by the same authors as the script) better mainly because the world in which the story takes place is much more interesting - it's actually a classic post-apocalyptic landscape with remnants of various cities, factories, machine wrecks and so on. The film was left with only hints, not even Tower of Babel made it into the film, and I wonder what led Aronofsky and Handel to deviate so far from their own original work in the adaptation. Otherwise, though, Noah isn't downright bad, although for me Darren Aronofsky remains the director of a single outstanding film (yes, The Fountain). Russell Crowe's fanatical position was very convenient. ()

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Stanislaus 

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English If you make a film that is full of religious themes, you have to expect negative reviews, and Noah is a prime example of that. I was used to getting powerful and evocative dramas that could tear me apart, were made on lower budgets, from Darren Aronofsky, so I was very excited to see Noah, which in many ways is a departure from the director's previous films. I'm a non-believer and only superficially familiar with biblical stories, so Aronofsky could have shown me what he wanted and I would have bought it. Personally, I was quite surprised by the presence of stone giants, which had a purposeful use in the story. The narrative was a bit chaotic at times as it jumped from topic to topic, but it wasn't that distracting. The cast was likeable, the visual effects were of a high standard, which is expected of a film like this, and Clint Mansell's music seemed to me to complement rather than stand out (like in Requiem for a Dream). All in all, a film that could have been better, I admit, but I personally enjoyed it, so as a viewer I'm happy with the overall result. ()

DaViD´82 

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English The Tolkeinite inside me is surprised to find where the Hobbits disappeared to when Isengard was flooded. The believer inside me is incensed over disrespect to the Word of our Lord and the unbeliever in me just shakes his head in disbelief over that really current “love Gaia" message... In any case, the movie has its own style and is interesting in the best meaning of the word; however much incongruous and slightly (really) slap-dash. Two thirds is a post apocalyptic vegan version of The Lord of the Rings: The Two Towers which perilously frequently topples on the brink unintentional ludicrousness, but doesn’t fall over it, thanks mainly to the charisma of Russell Crowe. The last third, however, suddenly becomes a heavy, existential intimate psycho-thriller with classic (although unfaithful to the Book) Old Testament dilemmas. And that is utterly outstanding. It just doesn’t have any connection with the preceding catastrophic epic fantasy. ()

3DD!3 

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English The crossover to feature film was a success. Aronofsky relishes in mirroring today’s humanity with the descendants of Cain. Dream sequences and trippy tales from the first chapters of the Bible, maintains the same fascinating effectivity that glues the viewer’s your dry eyes to the screen. Russell is excellent, his acting hasn’t been that good for a long time and he handled the work that his Noah has to perform with flying colors. The purpose of building the Ark is a little bit different here, almost turning the picture into a thriller toward the end and giving it a depressing aura only dispersed by Watson at the end. Lots of people fault Darren for selling out to Hollywood, but I can’t sincerely imagine that anyone else would have filmed a better Noah. Or that it wouldn’t have been so distinctive. I have nothing to fault (maybe Noah’s shaved nut, that was a bit extreme). Too little controversy? Not shocking enough? Too biblical? For God’s sake... You’re saying I don’t I have to do it?! ()

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