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Prison-break action film starring Sylvester Stallone and Arnold Schwarzenegger. Structural security specialist Ray Breslin (Stallone) is paid to enter high security prisons and escape while highlighting weaknesses in their apparently escape-proof systems. But when he is framed and incarcerated in a prison of his own design which is run by the relentless Warden Hobbes (Jim Caviezel), he has to put his incomparable skills to the ultimate test. However, in order to escape this particular prison he'll need the help of another insider. Luckily he meets fellow prisoner and old-timer Swan Rottmayer (Schwarzenegger) who agrees to help Ray in his escape, but only if Ray agrees to free him while doing so... (official distributor synopsis)

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Reviews (11)

kaylin 

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English Damn, I know that this film has its flaws, like characters that are essentially unnecessary and a plot that doesn't significantly impact anything. Or how it plays on the cliché that action heroes played by action stars simply don't die. But still, this is a fantastic idea that was well executed. There isn't as much humor as you would expect, but the ending is quite light-hearted. Additionally, you don't often see or hear Arnold speaking in his native German. Entertaining, although quite lengthy, great main roles. It's evident that Sly and Arnold really enjoy playing together, and they are doing it immensely well. I look forward to their future collaboration. ()

3DD!3 

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English Not just a long awaited meeting of two forgotten legends, but a good movie too. As far as possible, of course, there are so many coincidences, stupid decisions taken by the villains and unshocking surprises. But no matter. The structure is old, but the shell is newly painted. An enjoyable struggle between old procedures and modern methods throughout the entire picture, which gave me a pleasant feeling while watching. Stallone appears as a seasoned inmate and escape artist, Schwarzenegger knows how to get his hands on what’s needed and Caviezel represents the assiduous slipperiness so popular today (and he really enjoys it). The other characters are just there to make up the numbers, the most hilarious being “50 Cent" Jackson as a hacker with morals. The final punch-up is very nicely done and when Arnold picks up the machine gun, a smile spreads across the face of all orthodox fans. I don’t want to dwell on the resilience of the helicopter and the subsequent exploding barrels... I suppose it had to be included. Overall I’m satisfied, something that I couldn’t imagine originally. Old school on its best form. + Arnold’s Austrian way of distracting attention - that’s definitely the high point of the movie. ()

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D.Moore 

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English "Say cheese!" I wanted to see these two gentlemen in a movie. But in a good movie, which Escape Plan unfortunately is not. Someone else playing the central duo would have been even worse, and by a lot. Stallone and Schwarzenegger get all the plus points - their friendship and the fun they had acting here is so obvious that one can't help but be pleased. Moreover, when they poke each other irresistibly now and then (with words and fists). But the rest of it... I know that it was not supposed to be a profound experience, but still, in the place where common sense resides, one's head is full of questions like "Damn, such a super-modern prison, with such old-fashioned solitary confinement cells, with a shaft and a ladder underneath?!?!?!" and "Were all those guards really that stupid that they allowed... and that they didn't notice that... and that they didn't care how..." etc. All of this brought the film down terribly and hurt it especially in the sense that when the finale (finally) broke out, I didn't have any concern whatsoever about any of the characters. I just stared blankly, chuckling now and then, waiting for some big moment (yes, Arnold and the machine gun). And then it was over and I went home from the movie theatre. At the same time, I was thinking that I probably should have watched Stallone's Lock Up, which Escape Plan is not nearly as good as. That’s too bad. Escape Plan shouldn't have pretended to try to be anything - that way it would have worked out better. ()

lamps 

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English B-movie; straightforward and entertaining, originally conceived and refreshed by two veteran icons who in their old age have become even more deeply aware of their role in a colossal movie marathon. But a B-movie nonetheless, predictable, with a stale, truncated and unsurprising plot (starting with the escape plan and ending with Arnie's final "asshole"), and it's more appropriate in this case than elsewhere to play the critic and point out that playing for fun is different from actually being fun. The biggest impression is left by the unpleasantly slimy James Caviezel, who perhaps has never been so good. 65% ()

Malarkey 

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English Futuretro and Sly who makes a lightbulb out of a bungee cord and even uses it to escape prison. Those were the first two feelings I had when I watched this movie. Truth be told, it wasn’t what I’d imagined. Especially the realism was completely off and I’d compare it to Demolition Man, only with one big difference; the lack of one-liners. Sly and Arnold are just acting tough rather than creating some sort of a laid-back atmosphere and emotions. And that’s basically the whole movie. The topic is really interesting when it comes to two action legends, but the director’s take was far too systematic. I didn’t really feel any heart in that. It doesn’t have one-liners, nothing that could elevate such a great idea to a level that could be called legendary. A shame. ()

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