Jurassic World

An excellent tribute to the first film, from the opening panorama, through the helicopter arrival, to references to the eccentric millionaire. Fortunately, Jurassic World doesn't steal, but rather duplicates the functioning and adds design thanks to a twenty-year evolution in technology, making the dinosaur action even more intense and dense, with an excellently depicted and well thought-out park. The acting also works great, and although it may not be as confident and iconic as Spielberg's film, it is at least a decent beta that won't offend either the wallet or the brain of the viewer. (06/13/2015)

A very pleasant surprise and the best sequel to Jurassic Park so far. Trevorrow takes a sensitive approach and present Hammond’s original vision and the whole spiel about raising profits works just great. With the kids’ storyline (much less annoying than you might think) for a classic family feeling. And also taming the raptors that made it onto the poster. Chris "Starlord" Pratt returned to his role from Zero Dark Thirty and his marine/medic is a very good central figure for the whole story with the anticipated involvement of B. D. Howard, who shakes off her corporate shell maybe too quickly. They could have left out her running in high-heels. The dinosaur scenes are not as terrifying as before and its meant to be pure blockbuster entertainment for all age groups. The megafights between species to find a master of the dinosaurs is a pleasure to watch. Effects are mostly fine, but are sometimes spoiled by minor details that a bit more work could have put right. Even so, I enjoyed Jurassic World incredibly and it’s one of those movies that I look forward to watch again some time. Not just a few selected scenes, but all in all good, clean fun. P.S.: Williams’ theme presented by Giacchino still works well. (06/10/2015)

A perfect contemporary studio film, pitch-perfectly refined to fit almost everyone's taste. The stars have "just the right" luminosity, Spielberg behind their backs, special effects artists at work, and a scripted cocktail of everything a family wants to experience on a trip to the movies. The studios will fight over Trevorrow now because we rarely see such pure craft. The unfortunate thing is that it doesn't give anything for free. Therefore, especially in terms of tension, it's pretty instant, without anything really substantial, like "climbing over a high-tension fence" or "raptors in the kitchen," which still affects me after more than twenty years and can refer to someone who has something in their head besides craft. [Btw: Chris Pratt is likable, no question about it, but his position is more so iconic, pushed by an army of e-fans. When he really carries an entire film, let him have the whip and the hat.] (07/13/2015)

In the past, the second and third movies tried not to follow a safe path of the first movie, but although it was a nice try they failed terribly (in terms of both acceptance and, unfortunately, quality). The third sequel, on the other hand, follows the path of the first movie and it turns out to be the right decision (it is great both in terms of acceptance and, fortunately, quality). However, it is not only a dull follow-up, but a playful and self-conscious continuation. Although it may not impress you in such a way (or any) that the first movie did but even without this bonus it is a high-quality movie in the form of a fun and excellently graduating summer Hollywood craft in the best sense of this word whose biggest mistake is the simple fact is that we have already seen it (multiple times). What they did really well are the "gojira-like" ending and Pratt, who is labeled as a new Ford/Indy and even though it is already the most annoying universally acknowledge cliché, but we simply cannot deny the fact that this person is a new Ford, that is for sure. (06/11/2015)

Funny, suspenseful, touching, dignified, great. Jurassic World turned out the best that it could. The script moves along without the slightest problem, there is careful direction with a sense of alternating serious and light moments, a lot of nostalgia, but not so much that the film cowardly relies on it, new ideas, excellent sympathetic actors, in short, everything is as it should be. Moreover, the trailers didn't show everything, so there is no shortage of surprises (the best moments of the film for me). I'm glad Colin Trevorrow has done so well and outwitted all the doubters. And Michael Giacchino is also a hustler because, unlike Don Davis in Jurassic Park 3, he didn't try to imitate John Williams but used his themes as the cornerstones of his own music, which was the best possible approach.___P.S. But the Czech subtitles! I don't know in what conditions Petr Zenkl created them, but to turn triceratops into "triceratoptors" and to turn a female indominus rex into a male, although "him" is still referred to as "she" or "it", it really wasn't necessary.___P.P.S. Unfortunately, the same subtitles were used for the DVD release without any corrections. (06/12/2015)