Fury

Ayer is equally suggestive and raw in WWII as in his modern police escapades, only this time he doesn’t rely on CGI but goes nicely the old-fashioned way. This is a clearly outlined film, striking, and not pretending to be anything more than it is. It’s a solid psychological barrage with performances. There are plenty of emotions and the atmosphere and visuals are superb. Some of the dialogue passages marginally resemble Tarantino's standards, and the rest is nothing more than honest filmmaking with plenty of dirt, rotten teeth, and blown-off limbs. It's a shame about the overly grand finale, which is mandatory, but doesn't fit at all considering the film's concept. (02/09/2015)

I’d been looking forward to Fury for a long time. I’d been looking forward to this new movie by David Ayer, whose movies have convinced me what a good director he is and that we will be remembering him in the future. No movies have been made on WW2 in a long time, so I didn’t hesitate and headed out to the cinema. For an hour and a half, I got to enjoy one of the rawest WW2 movies in the past twenty years. I especially liked the ideas with the individual shots, which surprised me in Band of Brothers or in the ancient Russian movie Come and See. One shot was enough to make you feel sick. And it didn’t even involve anything too bloody. From this perspective, the movie aced it. However, a problem occurs at the end, which Brad Pitt decides to handle in his own way – in a stupid and illogical way that makes the movie end exactly the way I thought it would. The ending is heroic and very American, which pissed me off and the movie fell from five stars to four. And if it weren’t for the really good first half, it would have dropped even lower. It would’ve been best if the director had cut the movie 35 minutes shorter. (11/17/2014)

Fury is an action-packed blockbuster about an American tank crew slaying SS men in Germany in the Second World War. Brad Pitt is the only one of the crew who washes himself in a private moment, shows off the muscles acquired at LA Fitness and, even after a year of masturbating in an iron cockpit, does not f*ck the German girl (who wouldn’t be against it) because that would be unethical. The point of the film: Not all SS men were bad. The third Expendables should have taken place here, with a less straight face. (11/06/2014)

Attempting to make a Tank Patrol into a living monument to the soldiers of World War II is a lot to promise, but it falls apart when David Ayer's genres start clashing with each other. I would believe both in the invincible crew of the Fury and in tears during drunken confessions, but once these moods meet and regularly alternate, it's over. And it's a shame because Brad Pitt and Logan Lerman can effortlessly develop any smallest supporting storyline to the edge. (11/13/2014)

Sure, it's awfully heroic, but in terms of the dirt, mud, and music used, the guys do a good job. Plus, I was surprised at how much Shia has matured as an actor. It's not a bad movie, but if you've seen more than ten war movies, you won't be impressed. Still, an enjoyable watch, with funny and powerful scenes (we're at war, there pretty much have to be those kinds of scenes). It all has one big but, which is not without a [SPOILER]. They actually had to put a smiling Nazi in there who just got half his unit slaughtered and he's really just: "Hey, bro, you all were so cool I’ll probably let you live. Okay? So, see ya." Seriously? A weaker 4 stars (like it was said, out of mercy). (11/11/2014)