Chappie

Blomkamp the director trying hard to compensate for the incompetence of Blomkamp the screenwriter. Chappie is nice to look at, it has some good moments, but when you start thinking about it… :-( When you take the stories of each of the characters away from the plot, their behaviour is well… a stupidity race with a photo finish. Every single one of the blokes in there do the best they can to excel in this discipline. (05/20/2015)

The anarchic visual firepower, which suited Blomkamp more than I was reluctant to believe after all the trailers, is carried primarily by Opaloch's eccentric cinematography, which sells the wannabe documentary style as well as few other films, and by the bizarre cast starting with Die Antwoord and ending with Jackman's hairstyle. Charlto Copley milks tears from only doing the audio. Elysium is forgiven. Even with the dramaturgical leash tightened very short, even Alien could have succeeded. (05/19/2015)

Science fiction live, or another escapade by Neill Blomkamp, a lover of craziness. But while District 9 was original and Elysium was at least technically opulent, Chappie is neither. It cutely and at the same time quite stupidly winks at the viewer, but essentially offers clichés and average emotions. You will sympathise with the robot protagonist only when he cutely says "fuckmother" and philosophises with his equally cute father and mother. Otherwise, it's just an ordinary film that doesn't have much to offer. There’s not much action, Hugh Jackman is in a strange role that doesn't give him much space, and Sharlto Copley, instead of running around the set and throwing his brilliant psycho lines and crazy faces, is in a metal box. (03/15/2015)

My friends ask me what Chappie was like, so I'll post here on FilmBooster what I usually tell everyone: Not great. Apparently the director tried hard to make another District 9, only with robots, and it didn't work out so well. There's too much violence for my taste, especially violence against Chappie himself (not just physical, but psychological as well). Apparently, to make it less drastic, the director added some comic elements, in which he makes the robot a gangster. Unfortunately, it was funny only once; after that I found it rather awkward. Another problem was that Chappie is a film where there isn't a single likable character I could relate to – I hated them all, even Chappie himself (that is, only from the middle of the film; he was just a cute little kid at the beginning). The action was okay, Hugh Jackman as the bad guy was for me a role I've never seen him in before, so more or less a nice bonus. He played the maniac pretty convincingly. Unfortunately, I felt that the already rather contradictory film ended as if someone had pulled it out of their hat (I would say “out of their ass" to my friends, but I won't use such foul language here!). Apparently they don't have hospitals in Johannesburg. It has logical flaws; it has no hero. From a feeling point of view, I absolutely disliked the film (I kept telling myself that this is wrong, it's not supposed to be like this). Don't let the kids see it, show them Short Circuit instead. (03/13/2015)

Why? Because Die Antwoord, that’s why. Throw in a bit of wacky comedy, a bit of fatalistic sci-fi drama, add a dash of Deus Ex Machina and a few ideas from The Matrix on top, season it with a pinch of clichés, stir it up and you have a fun, inconsistent mashup of genres that one moment is laugh-out-loud hilarious and the next is naturalistically ripping your body in half. Blomkamp is a misunderstood filmmaker doing things his own way, the antithesis of the California dream factory of today. And that’s good. And one thing is certain: Die Antwoord are aliens whose cute non-acting is amusing. Although I believe those two didn't have to play much, they're fucked up in real life añready :o) (03/20/2015)