R100

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In this audaciously kinky, meta-comedic thriller, a lonely father with a secret taste for S&M (Nao Ohmori, best known for his titular turn in Takashi Miike's Ichi the Killer) hires a boutique dominatrix agency that specializes in guerilla acts of public degradation. Although the rough treatment and humiliation Takafumi Katayama receives from these leather-clad women––in cafés and on the street––drives him to ecstatic pleasure, he soon finds himself over his head during a surprise house call by one of the mistresses. After a freak and fatal accident, Takafumi is forced into action with a slew of vengeful dominatrices chasing him down. With the help of his son, he'll have to devise a plan to take on the relentless femmes fatales, who each possess a unique S&M talent by which to exact painful revenge. (Drafthouse Films)

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J*A*S*M 

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English I surprisingly liked this piece of Japanese brutal nonsense, unlike other nonsense from Japan. It’s a weird mix of mysterious and unsettling perversion and very black humour that’s hard to rationalise (especially by the end, the last 15 minutes are utter insanity). This time I liked it, probably because I enjoy stories about people that get into conflict with secret sects, clubs, powerful societies, etc. It’s true, however, that R100 is a tad more bizarre and absurd than other similar movies, so, to fully understand it, I will have to wait another 80 years or so. PS: The earthquake breaks were probably the best thing in the movie. ()

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