I Origins

Recently, a relatively large number of interesting sci-fi works have been emerging, which don't rely so much on how sci-fi can be opulent and full of special effects, but rather on the idea itself. In this case, the idea exists, but I had a feeling that before the creators got to it, too much time had passed. Unfortunately, the ending is more emotional than anything else, and it didn't grab me as much as I would have liked. (12/09/2014)

A smart, formally captivating, and unobtrusive film that is thematically so unusual that it will hold your attention despite some script crutches and shortcuts – especially towards the end of the performance. At the same time, it has a minimalist and indie low-budget feel, which only adds to its advantage, and a few suggestive scenes that definitely deserve attention (especially the elevator scene). More questions than answers, that's what a smart sci-fi viewer often expects and that's what they get here. It's a shame about the clichéd, but nicely groomed ending. (05/20/2015)

I wasn’t expecting that much of a surprise. This is an absolute hit that is well filmed, well-acted and excellently written. The dialogues are realistic, the characters fully believable and the story, the main motif of which is the clash of materialistic and spiritual thinking, almost shocks with its thoughtfulness and intelligence. The charming and touching plot is actually simple, but it is done with surgical precision. It is a pity that the trailer reveals three-quarters of the film, as the plot is not very predictable and the film manages to keep its focus up to the halfway point (a similar theme was looked at perfectly, for example, in The Cloud Atlas). Definitely wait for the full ending after the closing credits; otherwise, you will miss the cute point. (07/01/2014)

I Origins deftly blends the popular "I fucking love science" idea of good-looking scientists in brightly lit labs writing in marker on windows facing the majesty of the autumnal Brooklyn Bridge with Instagram muckety-mucks, earbuds, NYC apartments, public transportation, and the constant feeling that it's six in the morning. It's probably already clear from this compilation that the science here comes in thirty-ninth place, and we're not really looking at anything higher/lower than a spiritual and rather fatalistic romance made by a man I probably wouldn't have much to talk about with, but would love to watch at work. That whole trendy Eastern philosophical plane is of course inexcusable... but wait... It's a sci-fi after all! (01/14/2015)

I don't care how true the scientific facts are, which the film very skilfully plays with and brilliantly combines with a nice romantic plot, the only thing that interests me is that Mike Cahill has done his job so well that the film, even with a lot of endlessly repeated existential reflections and a somewhat lengthy intro, does not fizzle out into the void, but thanks to its appealing form and cleverly constructed script with a touching and cinematically impressive finale, it will bite firmly into our subconscious and we will gladly keep it there for some time. A small movie, but without major hesitations or predictable twists. 80% (08/17/2015)