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The story of "Cinderella" follows the fortunes of young Ella (Lily James) whose merchant father remarries following the death of her mother. Eager to support her loving father, Ella welcomes her new stepmother (Cate Blanchett) and her daughters Anastasia (Holliday Grainger) and Drisella (Sophie McShera) into the family home. But, when Ella's father unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family. Finally relegated to nothing more than a servant girl covered in ashes, and spitefully renamed Cinderella, Ella could easily begin to lose hope. Yet, despite the cruelty inflicted upon her, Ella is determined to honor her mother's dying words and to "have courage and be kind." She will not give in to despair nor despise those who mistreat her. And then there is the dashing stranger she meets in the woods. Unaware that he is really a prince, not merely an apprentice at the Palace, Ella finally feels she has met a kindred soul. It appears her fortunes may be about to change when the Palace sends out an open invitation for all maidens to attend a ball, raising Ella's hopes of once again encountering the charming Kit (Richard Madden). Alas, her stepmother forbids her to attend and callously rips apart her dress. But, as in all good fairy tales, help is at hand, and a kindly beggar woman (Helena Bonham-Carter) steps forward and – armed with a pumpkin and a few mice – changes Cinderella's life forever. (Walt Disney US)

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Stanislaus 

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English If someone ever asked me what Walt Disney's classic Cinderella looks like, which I haven't seen yet, I would answer that it's just like this version by Kenneth Branagh, but in animated format, because that's how I imagine it. To many, this latest film adaptation may come across as a cheesy and infantile piece, a silly and colourfully overstuffed version of the famous fairy tale, but I really liked the look. So I was left to ride on the innocent relationship between Ella and the prince and the highly stylized visuals, which stood out most in the sets and costumes, which were a joy to look at. And I have to say that the small role for Helena Bonham Carter as the Fairy Godmother was great and incredibly funny. A gorgeous and flamboyant fairy tale feast for the eyes that was truly worth going to the cinema for. ()

lamps 

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English Perhaps a slightly underrated project that nobody really trusted in this day and age, after almost all the juice had been squeezed out of the subject matter by filmmakers from all over the world, but one where everything is exactly in place, beautifully directed and superbly acted, especially in relation to the original Disney cartoon to which it refers. The entire beautiful fairytale structure is magically supported by a perfect soundtrack and decent visual effects used in the right measure, which, by the way, are responsible for probably the funniest sequence of all Cinderella films ever. Proper work, where humour is a bit scarce, but from the first seconds it grabs your heart and doesn't let go... 85% ()

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Necrotongue 

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English I'm getting pretty fed up with the overabundance of various Cinderellas that spring at me every Christmas, but I decided to find out where the British and American filmmakers went wrong in order to tear them apart in my review. Well, go figure! The film may not be a miracle, but Cate Blanchett as the stepmother was casting such icy stares that I would have handed her my wallet in a heartbeat and even thanked her for it. I was genuinely surprised at how decently entertained I was by a fairy tale for which I had such low expectations. ()

kaylin 

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English I keep asking myself if it makes sense to constantly remake fairy tales, or rather remake them. This film doesn't have a very big added value. It's as nice as you expect, there are moments that you expect, of course, if you know the American version of "Cinderella". Kenneth Branagh is a confident and excellent director and there are beautiful scenes here, but it's still the same fairy tale. Nice, sweet, but nothing new. ()

D.Moore 

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English Whatever the original animated Cinderella lacked, this live-action one has. Beautiful. One does not know what to praise first. Cunning scriptwriters who made do with a notoriously familiar story, which they developed, added to and explained with feeling a few times? The graceful and naturally beautiful Lily James? The charismatic Richard Madden, the perfect Cate Blanchett or the literally charming Helena Bonham Carter? The sensitive direction by Kenneth Branagh, who can shoot any scene in such a way that it affects people exactly as it should? Patrick Doyle and his beautiful music? The hundreds of breathtaking costumes and decorations? I really don't know. But what I do know is that I simply loved this Cinderella and I will happily watch it again and again. Particularly the ball scene is the best of all, which makes you feel like you're dancing too. Really. ()

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