Il capitale umano
Directed by:
Paolo VirzìComposer:
Carlo VirzìCast:
Fabrizio Bentivoglio, Valeria Golino, Valeria Bruni Tedeschi, Matilde Gioli, Luigi Lo Cascio, Fabrizio Gifuni, Gigio Alberti, Pia Engleberth (more)VOD (1)
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On a wet winter night in Italy’s affluent north, a waiter is run off the road by an SUV and killed, entwining the fates of two families of very different social standing. Set against the aftermath of the European economic crash, secrets are everywhere, but vanity and greed are in plain view in a world where a person’s value is measured in euros. Based on the novel by Stephen Amidon, Human Capital (dir. Paulo Virzi) is an engrossing thriller that paints a bleak and tragic portrait of current Italian society. Deceptively simple at first but building with perfect pace, Human Capital examines and reexamines the circumstances surrounding the accident with each of four chapters told from the perspective of a different character. Deceptions and cover-ups are deliberately and cleverly revealed right up to the final moments. Dino (Fabrizio Bentivoglio) is desperate to elevate himself above his middle-class existence and secretly mortgages his house while his wife Roberta (Valeria Golino) is pregnant with twins, in order to buy into the hedge fund run by the suave and unscrupulous Giovanni (Fabrizio Gifune). Dino’s daughter, Serena (Matilde Gioli) is dating Giovanni’s son, Massimiliano (Guglielmo Pinelli) and so the family are invited to join Giovanni and his wife Carla (Valeria Bruni Tedeschi) at the VIP table of Massimiliano’s school awards ceremony. Later that night the waiter is run off the road and as the police search closes in on both families it becomes clear that there are no innocents in this society of class inequality. (Hi Gloss Entertainment)
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I can’t help but feel like every time I find a relatively new Italian movie in the last few years, it always comes down to a decision between three and four stars. The loud and overly emotive nature that’s showcased in almost every Italian movie including this one just isn’t the right fit for me. I think that they could do without a lot of those uncomfortable situations and everyone would be better for it. Human Capital isn’t any different. The story can be engaging, but the characters are the issue I can’t get over – even if they behave and seem their absolute best at certain moments. However, what’s interesting are the movie’s free shifts into the past and then back into the future through the present. At times, it’s confusing as all hell, but the ending seals it all in quite a masterful way.
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