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Told in three separate chapters--OCTAVIO AND SUSANA, DANIEL AND VALERIA, and EL CHIVO AND MARU--the film deals with love in the lives of several individuals residing in modern day Mexico City. Octavio (Gael Garcia Bernal) has fallen in love with his brother's wife, Susana (Vanessa Bauche). He begins entering his dog in illegal dogfights in order to save up enough money to run away with her, but eventually learns a powerful lesson when she fails to keep her word. Meanwhile, Daniel (Alvaro Guerrero) has left his wife and daughters for the gorgeous model Valeria (Goya Toledo), but when she is hurt badly in a car accident, the strain on their relationship is stretched to its limits. Finally, El Chivo (Emilio Echevarria) is an ex-revolutionary who has become a paid assassin. Saddened that he has lost all contact with his daughter, he takes one final stand when an intended act of kindness turns brutally tragic. (official distributor synopsis)

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Reviews (8)

Necrotongue 

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English I’ve grown suspiciously fond of the type of films where various individual storylines intersect at one point. I enjoyed the film even twenty years after its creation, not even noticing its terrifyingly long runtime. I wasn't bored at all, only my original excitement was replaced by a much more sober approach (well, technically, I was sober even the first time I saw it). ()

novoten 

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English I consider the first story to be an example of perfect filmmaking craftsmanship and Inarritu, to me, was a genius while watching it, someone to whom I would confidently entrust any subject because his visual ideas or the alternation of contrasts are absolutely flawless. My enthusiasm faded after the remaining two stories, which are not bad, just not as disturbing or captivating for the viewer's senses as the first one, and rather focus on the gradual psychological development of the characters. Unfortunately, most of the time it is a bit too gradual and almost tedious. ()

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DaViD´82 

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English A debut that, despite having a few errors, as a whole is an excellent affair and mainly shows great promise for the future. If it weren’t for certain inconsistencies in the characters’ fates and no rising tension in the story, there isn’t much to criticize. In acting terms perfect, the screenplay marvelous and the director brilliant. Slightly disappointing that Iñárritu gives you the strongest moments right at the very beginning of the picture, but it doesn’t reduce the huge quality of Amores Perros overall. ()

J*A*S*M 

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English A nasty, dirty, violent and depressive film, just as I like them. The plot is not as complex as the director’s second film (21 Grams), but it’s a lot more effective nonetheless. Amores Perros consists of three intertwined stories, each with a completely different atmosphere, which together deliver a holistic and very intense emotional load. Very recommended. ()

kaylin 

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English Great film that, at first glance, may seem like something that cannot be about love at all, but in reality, it is love that drives all the heroes into situations that are very tragic for them, or at least for someone else. An incredibly powerful film that even after years shows me that the first impressions of it are not lost, but rather repeated. ()

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