Daredevil

Daredevil has fit everything that Marvel lacks on the big screen into thirteen well-built episodes that don’t bore or waste time, because they are driven forward by an influx of famously cast side characters, as well as a great conflict between good and evil...but actually...are we able to talk about something similar in Hell's Kitchen? The villain Fisk is completely at odds with the Marvel film canon, built with a biblical ambivalence of love and hate, tenderness and cruelty, and from the beginning Matt has doubts about how good should be done. The series thus offers viewers two answers to the question of good and evil - one short and the other very long. A very challenging and unpredictable journey leads to all (justified) comic clichés, adorned with great directing and an unusually spectacular conception of man-to-man fights uncommon for television. Sometimes one wonders how people in the world of The Avengers can have such mundane and real problems. Daredevil balances its social level with iconic enlightenment, yet the impression that it is the "rea deal" and not escapism still prevails. All the more intoxicating are the moments when the symbol triumphs over an overly complex fact, where there is no sterility and the two-dimensionality of Iron Man, Captain America and others. For me, the best comic book film since The Dark Knight. No debate about it. Drew Goddard is the man. (09/15/2015)

I was hoping for something like this, the first episode gives me great expectations. The raw atmosphere of a horrible quarter of New York, greedy magnates, stylish heroes. I was particularly pleased with Charlie Cox who I was a little unsure about, but he turned out to be a charismatic powerhouse. If Marvel series all were like this, it would be wonderful. And now give me some R-rated Punisher action. Season two exceeds all expectations. Getting the Punisher involved is a great move and every confrontation with a devil from hells kitchen is worth it. Jon Bernthal is unrivaled as Frank Castle. At last the executioner gets some special treatment. Veteran crushed by losing his family, eliminating mafia low-life at last has the right depth. Add to that Electra and a mysterious plot by quiet warriors who drink kids’ blood. Breathtaking action scenes in every episode. Deborah Ann Woll finally has an intriguing storyline, Foggy stops being a blabbing waste of space and Matt slowly loses everything. Marvel’s Dark Knight. I look forward to the next season. Season three: A return to grassroots. The ninjas and Electra were fine, but confrontation with Fisk is much more personal for Murdock. Season three is very dismal, full of losses. It’s all about revelation of painful truths. The writing... great, with just a couple of exceptions, it perfectly captures character development from suicidal depression to balanced states and back again. Loads of emotionally intense scenes. Presentation of Bullseye works (Bethel’s acting is excellent) although he only distantly resembles his comic book likeness. The confrontation between the two rivals are exemplary and the fights take your breath away again. Top-notch TV. (04/11/2015)

An ambitious TV adaptation of a well-known comic book, in the spirit of the dark Batman universe made by Christopher Nolan, but lacking the proper epicness, sophistication of the characters and their motivations and, last but not least, a sufficient dose of drama and realism, which fades away over time, especially with the third series. Good stuff, but there’s no need for further episodes and, unlike Punisher, there’s probably no interest either. (11/09/2020)

After three seasons I can say with a clear conscience that this TV show (even though it is considered by many to be one of the best collaborations between Marvel and Netflix) is not worth more than 3 stars. The atmosphere resembles Christopher Nolan’s Batman trilogy, some action sequences prove that the creators are action movie lovers but overall, the show is very repetitive and the arrival of Punisher and Electra does nothing to salvage that. The first season introduced me into the world of the surprisingly not entirely heroic Daredevil, introduced a decent opponent Fisk but failed to make me connect to the main characters. The whole supernatural feel stems from the fact that Daredevil is blind and this blindness caused his other senses develop to the maximum. Okay, so the premise is pretty good. The second season brings Punisher and Electra back to the game. They opened Daredevil’s eyes a little bit but overall in the story they were pretty useless. The third season returns to the first season and renews fight with Fisk who was Daredevil’s only proper adversary, the show ended more or less in the place where it started. The only thing that left me with some kind of impression was the series of actional sequences, which saved the individual episodes many times. Not only were they very well filmed but they also looked well executed choreography-wise, and a lot of contemporary action movies could envy Daredevil in this respect. The rest, however, was mediocre. (03/27/2019)

He’s a lawyer who breaks the law. A Catholic who dresses as the devil. The biggest advantage of Netflix's Daredevil is, to a large extent, its biggest weakness too. The creators were completely openly inspired by the best authors of the Murdock Saga; Frank Miller, Brian Bendis and Mark Waid. So, this adaptation is just as dark, uncompromising, full of rain and blood, based on a gloomy atmosphere, slow-paced, shows fights where every punch hurts and addresses purely adult themes, erases all differences between black and white, as might be expected. The centerpiece and main driving force is Murdock's defense lawyer (in this respect he is the only hero who is interesting in everyday life but the creators did not take full advantage of it, sadly) and his concealed alter ego. It's not just another standardized, fluffy, colorful popcorn movie for the whole family, which Marvel has previously mass produced both for TV and cinema screens. Daredevil is a dark crime movie about organized crime and corruption. So this is the first time that Marvel is more interested in characters than (super) heroic tinsel. The problem is that as the creators adapt the individual lines/motifs in above-mentioned way, they fail make them sophisticated enough, and so many of seem unnatural and forced an in one case the character also fades away. The ambitious are high, so the movie mentions a lot of things but most of them have no continuation. What's more, there's no as fatal escalation between Murdock and Fisk, who mainly acts from behind the scenes, as would be appropriate given how excellent thy both are (and I must stress that D'Onofrio's Kingpin is the first bad guy ever of Marvel's universe who does the job, is interesting and respectful). This snag is even more unpleasant considering that other filmmakers have done it already in the same or maybe even better way. And not only in the movie department, but also in the television and it will remind you of Arrow, but Daredevil has more in common withPerson of Interest in terms of style, approach to action, how the moral principles and bad guys are addressed. After all, the local Elias is the same as Kingpin.| S1: 4/5 | S2: 4/5 | S3: 4/5 (04/13/2015)