Hellhole Women

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In all the annals of exploitation cinema, there has never been anything quite like it: Take a luscious young bride (beautiful Playboy centerfold Ursula Fellner) thrust into a brutal prison camp run by a sadistic woman warden (the stunning transsexual adult film star Ajita Wilson). Add generous helpings of lesbian lust, bestial perversion and some very extreme violence. Then mix in a jaw-dropping performance by the films controversial director as a degenerate white slaver. Do you dare take a forbidden taste of the wildest women-in-prison movie ever made? (Blue Underground)

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POMO 

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English Franco films my dreams, albeit in a dismal B-movie way, so his work has no value in cinema. The only other similar, generally respected film along these lines is Saló, but it goes too far and is rather more disgusting and evil than entertaining. Franco takes a lighter approach, with a lecherous smile and with the playfully cheap southern carelessness becoming his irresistible asset. The Eurotrash opuses of his filmography always get two stars at most, but I still enjoy watching them – once in three years, each time with at least two breaks of a few days. ()

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