Backcountry

There are only a few of those actors here. Four who actually have some space. But "Backcountry" doesn't mind that at all. Its strength lies in how it utilizes beautiful nature for drama, which mostly happens off camera, but that definitely doesn't detract from it. On the contrary, there is power in that as well. It's just a shame that the atmosphere isn't a little more intense. Nevertheless, a successful film. (11/11/2015)

A very realistic and minimalist survival flick, the script can’t have been more than five pages long. I think that’s what it must look like when two people get lost while camping in the wilderness and get attacked by a bear on their way back. The level of credibility and crudeness is very high in Backcountry, including those “main” scenes when the bear attacks. It’s on a completely different level (in conception and ambition) that this year’s Grizzly, fortunately so, I must say. My only quibbles are the self-serving and pointless episodes with the foreigner and that the survival part “proper” begins rather late. Edit: I sometimes think about this film, even a year later, and that main attack scene still remains very much alive. Quality. (03/26/2015)

Much better than last year's thematically similar Grizzly. But Backcountry does without the well-known actors and the perfectly trained bear Bart (who can play even the most subtle nuances of expression). While the central bear doesn't look all that menacing on the surface, can't even stand on its hind legs properly, and is even noticeably artificial in some close-ups, he's still much more frightening by acting quite authentically. It's not an unconvincingly intelligent monster that takes revenge and systematically murders people, as in the aforementioned Grizzly, but a normal hungry animal roaming the woods that scares with its unpredictability. The first half is tedious and it's a shame the film doesn't start building tension much earlier. The bear attack, which is visible in only a few shots, is relatively brief but all the more believable. And I imagine that's probably how it would have played out in reality. The whole tent scene, by the way, reminded me of a similarly chilling moment in Herzog's documentary Grizzly Man. (03/29/2015)

Deliverance with a bear. The script is fairly tame, but just enough to maintain credibility, and at the right moments, to stretch to the limit the negative feelings about the suffering of the two main characters. The bear attack scene is one of the most shocking and intense I've ever seen in film; after seeing it, nobody can convince me to go hiking in the countryside. (08/11/2017)

The film does not tell us much about the central couple, and spending an hour with them wandering in the woods and watching them argue with each other will not bring much pleasure to the audience. But from the moment things start to be dramatic (and brutal and cruel), the tension rises and the last third is worth it. There is some very confusing editing in key scenes, but it is rescued by the terrifying screams of the victim, from which you can feel their agony. Ambient music and the occasional psychedelic shots that match it seem strange in a wildlife film, but they’re acceptable. (03/27/2015)