Hardcore Henry

I applaud the idea, admire the technical realization, and criticize the rest. Hardcore Henry is an unimaginably slick and stylish action flick, where some of the opening scenes (especially the free fall in the escape pod) spike the level of the viewer's experience to unprecedented, and you can really say revolutionary, heights, while the optimally set runtime and a lot of black humour, brilliantly provided by the film's best character(s), the outrageously loud Sharlto Copley, are also a hit. But that's where the good stuff ends, as the frantic, B-movie sci-fi story makes no sense, we know absolutely nothing about most of the characters, including the confused Henry, and the vast majority of motives remain unexplained and unfinished. It's simply too much chaos, which can still be excused for the adrenaline-fuelled action scenes, but even pure cinematic entertainment should strive for a more meaningful or at least more atmospheric plot – we can't even worry about Henry, as he's clearly a blend of every invulnerable Hollywood hero in history. And the last criticism is directed to the final long battle, which, instead of a climactic ending, is in my eyes the weakest action set-piece of the film. I did have fun and if I weren't such an opponent of computer games I might not have objected. 65% (04/29/2016)

A mainline adrenaline hit straight to a player’s heart. Memories of Far Cry, GTA, Crysis and other games and others come rushing at you with every minute of the movie. Sharlto Copley’s and his amazing antics drag this movie forward, but the real hero is Naishuller, who pieced the movie together. Great music. A feelgood movie. (03/05/2017)

In terms of innovation of the action genre, it’s only an appetiser, because Hardcore Henry is far from a full-fledged cinematic experience. There’s no plot and the frantic sequence of action scenes can’t disguise the feeling that this farce is merely a consumer piece with a short shelf-life. Original, technically very accomplished, but also exhausting almost to the max. And this time there was no need for a second or third part, 90 minutes of the first one was enough. (07/13/2016)

The ultimate bachelor party with a lot of thoughtful details, Hardcore Henry is violent, bloody, witty, furious and visually stunning. It is an important genre event (somebody finally got it right!) and I believe that someone in the future will put this concept on a more complex story and thus make a breathtaking point. Then I will be the happiest man alive. (04/27/2016)

Rated R for non-stop bloody brutal violence and mayhem, language throughout, sexual content/nudity, and drug use. ___ It's only been five years since Henry was in theaters, and I already feel the need to retrospectively appreciate it as a throwback to the trend of the GoPro videos which YT was fed up with in their day, before they started being replaced by passive YouTubers in the quiet of their homes, and also the end of the era of big video game titles driven by the promise of technological advancement before that market shifted and games started being developed on social platforms. Here we find the usual climbing over buildings (Assassin's Creed, Mirror's Edge), sniper missions (Call of Duty), escaping from unknown snipers (Half-Life), augmentations (Deus Ex, even with a very blatant rip-off of the soundtrack of Human Revolution at the beginning), obstacles you can shoot through, or papers flying around during the gunfights (FEAR). Add to all that the familiar nightmare of falling somewhere you don't actually fall. Hardcore Henry is actually a fan film in the best way imaginable. It's incoherent (tied together, thankfully, by the FP format), doesn't know when to calm down, and just tosses in one idea after another, whereas it carries the film's tricky and thorough choreography all the way through with tremendous effort just for the sheer spectacle of it. Besides, despite his muteness and anonymity, the protagonist is somehow actually quite likeable, and that's only through the way he occasionally gesticulates with his hand, turns his head, and when he knocks a girl down on the stairs waits to see if she's okay, despite having a bunch of evildoers at his back. The shenanigans he comes up with during the action sequences is actually his way of expressing and building character. But I recognize that this may be because I'm a pretty die-hard gamer who would ideally live his entire alternate life somewhere in a fictional universe, and I can tune into that kind of storytelling much more easily. "Take down the proto-baby!" (04/23/2016)