Colonia

In collective scenes sufficiently predatory and absorbing, in moments of terror it forces you to avert your gaze. As a whole, in its message of freedom of spirit, mind, and humanity, it does not fail; in the possibility that something like this is real even in modern history, it is fatally depressing. When looking at the flawless Emma Watson and the captivating Daniel Brühl, I am willing to forgive a few minor stumbles because the content outweighs the importance of the screenplay form this time. (04/12/2016)

A co-production Requiem for a Maiden without Renč's exploitative lack of feeling and above all without the lesbian scene with Holubová, from start to finish it's an incredibly mind-numbing and routine inspired-by-true-story Pinochet-era romance with no handwriting whatsoever. Emma Watson plays a lunatic well. (08/05/2016)

Argo 2 – made in Germany (so a bit worse). Too bad about the clumsy script, which throws up one formulaic thing after another, because otherwise this is a pretty decent German scenic drive. Great actors without exception, an electrifying finale, and an interesting, period-accurate, portrayal of 1970s Chile and the camp practices. Emma Watson confirms that she can break out of the role of Harry Potter's uptight friend and is starting to emerge as a top-notch actress with all the prerequisites for success. (01/01/2017)

Colonia has a somewhat slower start, in which we get acquainted with the characters and the inhospitable setting of Colonia Dignidad, while the second half is already more action-packed, and in the last twenty minutes I was squirming in the cinema, waiting anxiously to see how it would all turn out. Some of the colony scenes were really raw to the point of being uncomfortable to watch at times. It's almost unbelievable how out of control a system based on the thoughts of a fanatical madman can get. In short, a solid drama that gains more power and impact the moment you realize it's based on real events. (06/25/2016)

A story built on strong themes that we have all seen a thousand times before elsewhere, and often far more evocatively delivered. The narrative is cohesive and builds up satisfyingly, depressingly reflecting the oppressive atmosphere of its tyrannical setting, with the casting of the disgustingly accomplished villain Nyqvist being a definite hit. Unfortunately, it lacks the aforementioned suggestion, which is, with a few exceptions, represented by cheap, visual and plot clichés for the masses, and the fluffy ending, although it pulls you in by evoking warm empathy for the fate of the main characters, turns out exactly the way the you’d expect. The horrific story of Dignidad deserves a slightly more distinctive and gritty treatment, although I acknowledge the effort to make such untold events as widely available as possible. 70% (05/23/2016)