A Perfect Day

I mainly thought about what it is actually possible to make a movie about. For example, the need to find a rope to pull a dead body out of a well, so as to prevent further contamination of the water and make it drinkable. This is a problem that most people don't have to deal with, but there are countries where it's a real pain. And this movie shows us a strange journey that I probably didn't quite get right. (01/05/2016)

"What are you doing in the war? Don't you have a charming loving wife at home?" - "Of course, I do, and that's exactly why I'm here." Some may have problems with the inclusion in the comedy genre due to the level of cynicism and dark humor that can be heard in demanding and stressful professions, where one commonly encounters human suffering. Personally, I found the mockery of the team members of a humanitarian organization, which is trying to provide drinking water for the local residents in a remote countryside at the end of the Bosnian war, to be fantastic. A Perfect Day is a small cinematic gem, where an excellent script full of clever dialogues and well-targeted lines meets a strong international cast. In the category of films dedicated to the bloody Balkan conflicts of the 90s, it certainly deserves one of the medal positions. The story is not about anything bigger than the search for a rope to pull a decomposing corpse out of a deep well. But where to get the rope when the locals need it for hanging, not to mention the fact that a proper corpse in the right well does highly meritorious work? It's a film full of biting irony attacking absurd regulations and the bureaucracy of the United Nations has a charm, for which I will give it five stars after careful consideration. Overall impression: 90%. (08/17/2021)

The Balkan conflict has so far largely attracted a large number of directorial whiners, terrorizing audiences with their own consternation at how a few hills away from "civilized" Europe the rape of severed human heads has begun again. A Perfect Day is thus the light at the end of the tunnel in that, without overlooking the drastic, senseless nature of the whole situation, it approaches it like the characters in Coke commercials who say there's no point in thinking about what has been and what will be, but what's happening right now. This approach, however, is not primarily in relation to the whole Balkan mess, but is illustrated through the personal mischief of the characters and their relationship peripeteia. This seemingly egocentric approach actually cleverly exposes the whole war as a mess on wheels and the volunteers there as asocials who are doing all this not to realize a better world, but rather to realize themselves. (04/19/2016)

The good thing is that in this day and age of comic books and action blockbusters, someone is still going back to the Balkans in the 1990s, which is a goldmine in terms of filmmaking. Not everyone is able to work with it, but the range of possibilities and stories is endless. This time an unknown director from Spain chose a half-cynical road movie, half-black comedy and unfortunately, even with a great cast giving very good performances, we are more concerned with a well with a dead body and the nudging of individual characters than with the absurdity of the confrontation and its seriousness. The fabulous cinematography Alex Catalan is not enough on its own. (09/03/2016)

Specifics of international humanitarian aid or an absurd road-drama about the daily routine of humanitarian workers in the Balkans and their Don Quixote struggle with both officially bureaucratic windmills and common sense in a movie that masterfully and functionally balances on the edge of a serious portrayal, unforced honest emotions "reflection on society" and black cynical humor which ambulance crews take advantage of. Maybe it could have been a little bit two shorter, especially the detour sequence. (05/17/2016)