All I See Is You

  • Canada All I See Is You
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James (Jason Clarke) and Gina (Blake Lively) are a happily married couple living in Bangkok. Gina has been virtually blind since the childhood car crash that destroyed her sight and killed her parents. Despite her difficulties, Gina lives a full life, depending on James for help navigating the raucous bustle of the city. When Gina has the opportunity to have sight-restoring surgery on her right eye, she jumps at the chance. After the procedure, her world is changed. Not only does she see everything around her, but she sees herself in a new light. Their lives change in a million ways both large and small, and James' surprising response to the new status quo will reveal the troubling power dynamics underpinning their relationship. (Toronto International Film Festival)

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Malarkey 

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English Interesting in its premise, bashful in conveying it. A thriller about the handicapped Gina who is blind but an operation keeps her hopeful, at least as one eye goes. I personally admire every movie with a handicapped lead. It’s just a shame that the rest looks like it’s patched up from romance novels and Fifty Shades of Grey. Unnecessary amount of sex scenes, not enough suspension, far too many relationship twists and turns and a claustrophobic feeling attempting to completely ruin the movie for you. A shame, because visually, it had some nice moments. ()

Kaka 

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English It’s hard to say what’s worse. Whether it's that this movie totally flopped in US theaters so Europe won't even know about it, or that a sound director actually made a pretty decent film, only that it has a bit of a convoluted shell and most people will need the storyline explained via spoilers on the internet. The pros are the following: Blake Lively chooses ambitious projects with the potential for interesting dramatic roles. She managed to do that in Age of Adeline and wants to successfully follow it up here, albeit only halfway. For reasons unknown, Marc Forster intersperses a dramatic film with a good and strong storyline with hard-to-grasp surrealistic or fanciful motifs that don't make much sense and don't even fit the concept, but he still holds the directorial reins tightly and lets the actors shine. Jason Clarke and Blake Lively are superb, the rest are forgettable. The emotional spiral of a disintegrating relationship, which is smoothly, almost imperceptibly followed by the intrigues and deceptions of both of the couple, is excellently portrayed and believable in most situations. So why did it flop with audiences? Probably because a certain variety of fan likes a lot of question marks with no straight answers, but it all has to make sense if the recipient in question is attentive in their viewing. Here, however, even full attention is not enough to solve the case correctly. There is too much noise, volatile moments and screenwriting flourishes, so that during the credits the viewer doesn't really know where they are and they have to read the text of the story as the filmmaker intended it on the internet. How to rate something like this? ()

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kaylin 

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English A young woman is married and seems to be quite happy, except for the fact that she is blind. But then a miracle happens and she starts to see again. It's as if she’s now perfectly happy. Except maybe her marriage isn't so perfect. I think this was a missed opportunity to make a really interesting film... The foundation is good, but the development is not. ()

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