The Favourite

Like all of Lanthimos’s previous films, The Favourite is a description of a bizarre struggle for the favor of authority and a deliberately distorted caricature of human society, defined by a constant struggle for power. As a bonus, however, this new films is also a serious historical drama with an conservative narrative arc (one can feel that fragmentary storytelling lover Efthymis Filippo is not involved in this). The Favourite tries to be a venomous and scathing period piece, where (toxic) relationships between women play a leading role, while men are ephebic fools and horny idiots. The central trio is a joy to watch mainly due to their great acting and the sparkling mischief of mutual interactions. Unfortunately, over time, the film, which is a bit violently cut into chapters, becomes what it is at its core - a sparse, monotonous story with a predictable subtext. While until now Lanthimos has always been able to misalign and surprise viewers, to troll them with something that may contradict the laws of logic, but effectively comments on the arbitrariness of our existence, The Favourite is in some ways conventional. Although it contains typical choreographic excesses, it flows according to genre rules. It is dirtier, more vulgar, more crooked (Robbie Ryan FTW), sometimes effectively elliptical, but sometimes cruelly literal (the rabbits). In part, I support her, but she also did not stimulate me in any way, did not upset me, and she did not make me think. Yeah, humanity is a bunch of degenerates and really destroys character. We know, Jorgos. But I didn't feel it this time. For the first time ever, I left Lanthimos's film slightly apathetic rather than morbidly exacerbated. (12/29/2018)

I'm sorry, but I couldn't get on the right wave to enjoy The Favourite practically until the end. Although all three actresses act great (Emma Stone’s grimaces versus Rachel Weisz's stone face), but what it's all for when I was raising my eyebrows in astonishment regarding the bizarre things that were unfolding on screen, and I was wondering what's wrong with me, that the surprisingly cringey humor doesn't make me laugh like everyone else (or some other people) in the movie theatre. The impressively strange camera reminded me of Juraj Herz's films (mainly the fisheye is like the one from The Cremator); however, it didn't improve the experience much. The film seemed too long to me after about an hour and although I was wondering what would happen next, nothing actually happened that I didn't expect. That’s too bad. (01/30/2019)

If you are into Lanthimos’s peculiar poetics and stylistic whims, The Favourite will very possibly be the most entertaining film of the year for you. Though the division into chapters and some of the visual deformations leave a dodgy impression, the absurdly escalating conflicts, the play with the setting and the lightning, the performances and the music are so good that the film flows as smoothly as if it had been directed by Kubrick himself. It is very nice that in the age of Hollywood feminism there are so many Oscar contenders where female characters are uneducated, indecisive or unbearably manipulative bitches. 85% (01/29/2019)

Next time I need a heavy dose of the bizarre, I will just watch election campaign videos of various political parties and I might even have a good laugh. This was just 2 hours of the bizarre without the funny part and all 3 main characters were just plain unlikeable and annoying. The quality of the filmmaking and acting performances is undeniable, but I was bored throughout the whole runtime. (08/17/2022)

As much as I like Lanthimos' previous films, I can't ignore the personal problem with them that everything in them – every leaf, every hair, every cloud – is an allegory. The Favouriteis the first film he didn't write the screenplay for himself, so that previous obstacle has fallen aside. Still, it's fun to watch a basically unconscious allegory of what it's probably been like for several years now in our own Lány. Leg included. (04/22/2019)