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Ferris Bueller (Matthew Broderick) is a tricky but harmless fast-talker. But he knows how to have fun, which is exactly what he sets out to do when he feigns illness and talks his parents into letting him stay home from school. The perpetually lucky Ferris enlists his hypochondriac best friend, Cameron Frye (Alan Ruck), into springing his girlfriend, Sloane Peterson (Mia Sara), from class, and the three embark on a raucous downtown Chicago adventure. From Wrigley Field to the Art Institute of Chicago to a Polish pride parade, Ferris and his friends make the most of their day off. But Ferris, Sloane, and Cameron might not get away with playing hooky. Ferris's sister, Jeanie (Jennifer Grey), is determined to prove that Ferris is faking sick and make him pay for it, and the bumbling school dean, Ed Rooney (Jeffrey Jones), is sure that Ferris is pulling a fast one. (official distributor synopsis)

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kaylin 

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English I have to say that exploring more of John Hughes' films is worth it. He was able to depict youth like no one else, and it didn't really matter that these young characters were played by actors in their thirties. The illusion works perfectly. The story and how the individual scenes were successfully connected is important, as they could often stand alone as gags or short stories. ()

lamps 

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English I like this film just by the way it approaches entertainment and storytelling. The apt depiction of a tiresome school routine, the deliberately overblown escalation of innocent student rebellion by the underdog principal, Broderick's satirical on-camera commentary, the simple yet believable teen psychology, and finally, the unprecedentedly polished script where every frame, motif and dialogue play an important role in a future twist or joke – all of this, together with the great actors (besides the likeable main trio, especially Jeffrey Jones, the famous Emperor from Forman's Amadeus), makes for one of the most iconic and creative comedies in American film history. Given the parodied social undertones, I understand some of the criticisms that this is a purely overseas affair, but I still can't (or rather, don't want to) imagine such a moron being able to criticize so much sheer entertainment and intoxicating audiovisual substance – murder deserves other films entirely, leave this gem alone. 90% ()

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