Bright

If it wasn't for the supernatural world full of magic, Bright would be just a generic film about cops fighting criminal gangs that also deals with racial issues. It's a pity that they didn't make exploit more the magical potential that hovered over this project. In terms of action and suspense, the film works, but on the other hand there are a lot of flat jokes that fizzle out as soon as they are uttered. The visuals are nice, and the soundtrack perfectly underscored the dirty streets setting, but I still felt that more could have been made of it. (03/20/2020)

Stupid is as stupid does, flat characters, mythology inadvertently ridiculous and not laying the foundations for an interesting and functioning world, not even remotely. A fussy mish-mash Boo over which even Czech fairy tale characters would turn up their nose. But at the same time, it soon picks up a frantic pace, one action after another, and it's a solid, straightforward, explosive, silly good second-rate movie. (12/22/2017)

That "multiracial" world is definitely interesting and would certainly offer decent possibilities for building some wider universe in the future. Visually it's very high-level, simply kind of a slightly above standard Ayer film. It's just that script-wise it's so terribly simple and routine that all you really enjoy for the entire two hours is the setting (which is great and original) and the occasional wisecrack here and there. I can't say I was bored with it, because it's really good to watch. But the fact remains that a sober (strict) assessment will yield a visually attractive yet otherwise in almost all respects superficial and flat spectacle for the undiscerning viewer. (01/23/2019)

Bright is a bizarre, entertaining genre hybrid that surprisingly manages to maintain a little dignity. The social issues of minorities, class-based society and racism addressed in the first half are presented decently, and Edgerton’s orc character is the movie’s best feature. In the second half, we get to see demons, a magic wand everybody wants and the threat of enslavement of the world by a potentially coming dark overlord. And, of course, some kung fu, torture and gunfights. Futuristic sci-fi, social drama and crazy fantasy with a hint of buddy cop comedy. I wouldn’t say that it’s a pity Ayer kept it only slightly above average, but rather a miracle. (05/15/2019)

“We're not in a prophecy, okay? We're in a stolen Toyota." This enjoyable action crime comedy is set in a fantasy alternate reality and it's actually a good thing that the fantasy doesn't draw attention to itself that much, and it's still mostly about the story. Although I'm not saying that I wouldn't want to see the mounted police of centaurs in action or that I don't care more about the dragon circling over the city. But so what? Will Smith is excellent and I liked watching him again in the most proven acting position, and Ayer's direction is brisk and there's no time for any boredom. Admittedly, I'd like to explore that whole world, but on the other hand, it didn't seem unutilized to me like, say, in R.I.P.D. - luckily, it was much closer to Men in Black and Hellboy. (03/09/2019)