Lucky

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Lucky shows the spiritual journey of a man in his nineties. He finds himself with good health, having outlived his peers, which pushes him to revaluate his life and seek a "revelation." In a bar, with Johnny Cash in the background, he reconnects with some of his colleagues that made a difference in his life. (Interior XIII)

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POMO 

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English An old man chattering about nothing in particular rather than about life. Lucky offers likable characters and an attractive environment, but both are underused. And Lynch spouts one inanity after another, without adding another dimension to the film by linking it to the motifs of his works. I can imagine a more atmospheric, poetic and meaningful version by Jim Jarmusch, for example. And that’s a great idea. ()

Goldbeater 

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English John Carroll Lynch surprised me in a great way. He directs his debut film with sensitivity and humour, creating an almost philosophic work that offers different possible interpretations. With so many symbolic scenes punctuating the storyline, each viewer will have their own understanding and find their holy grail. Lucky can be about old age, about life, about death, about missed opportunities – and, most probably, about all of that. Who knows. Lucky will get under your skin. It got me for sure. The great David Lynch in the secondary role moved me greatly. However the star is, of course, Harry Dean Stanton; this is his swan song and one of the best filmic farewells ever. Let’s welcome that with a smile! [KVIFF 2018] ()

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