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Chris Pine stars as Scotland's legendary Robert the Bruce. More warrior than statesman, he is fiercely loyal to his men and country, and an equally fierce adversary in battle. He and his fellow Scots bristle at England's attempts to rule them. When Robert seizes the opportunity to ascend the Scottish throne, England unleashes its fury, forcing the proud king into exile. Now known far-and-wide as an outlaw, Robert must use both strategy and his warrior skills to win back his nation for his people. (Toronto International Film Festival)

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novoten 

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English More than an unofficial sequel to Braveheart, Robert the Bruce and his journey resemble a half-hearted remake. There are betrayals, loves, and magnificent battles here too, but while Mel Gibson unnecessarily deviated from historical realities, he was forgiven because with every twist he tore the viewer's heart apart. David Mackenzie holds onto history more firmly and adds more gritty combat, but I can't shake the feeling that it's all too superficial. The opening interaction doesn't work for me as an introduction to the plot, but rather as a teaser taking the form of a scene without cuts. The exposed intestines don't make a point about the horrors of war, but just come out of a person in all their nakedness; warm feelings arise between newlyweds in just a single cut. And Chris Pine, an eternal charmer and rascal at first sight, is only just maturing into the role of thoughtful ruler. In this case, the king is a brave and pleasantly uncompromising figure, but his battle songs desperately lack heart. ()

Kaka 

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English A prequel to Braveheart, which ironically tells the story after it. Pine is an interesting choice for a medieval protagonist and it has to be said that he fits Robert the Bruce quite well, although it doesn't seem like it at first. Mackenzie makes up for the poor script and the lack of strong emotions with a slick medieval carnage, not quite good enough, but certainly above standard within the genre. Of course, in terms of epic, romantic line or directorial virtuosity, it doesn't even come close to Gibson. ()

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D.Moore 

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English An impeccable historical film, just impeccable. I really have nothing to criticize, although I would appreciate it if the film was longer, because few recent films deserve it as much as this one. It’s all good, though. Even so, it is an attractive story with a tremendous gradient, constantly gaining pace and dramatism, funny in such a “guy" way, but it’s definitely not only for lovers of medieval battle films. The film is still about the characters, and thanks to the excellent actors, we also care about them. Chris Pine has a bit of Connery in him, Aaron Taylor-Johnson is madly wild beyond recognition, the virulent Florence Pugh hasn't let me down even once, and he didn't this time either... I would compare it with Braveheart and I see the two films at almost the same level. ()

POMO 

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English Outlaw King offers nice set decorations and a praiseworthy introduction to a historical personality who was remarkable for his achievements (though overshadowed by his political predecessor, William Wallace), yet remains less well-known in the world of film. Containing all necessary mainstream attributes, it is satisfactory as a genre movie, but what prevented me from fully enjoying it was its predictability and lack of narrative originality, particularly without any personal contribution from the director. What I mean are scenes and moments that would distinguish this movie from a large number of similar films. I would appreciate such moments even more than the carnage of war. And something better than the very average soundtrack wouldn’t hurt anything. ()

MrHlad 

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English I've been missing this genre quite a bit, so I ended up enjoying the historical drama Outlaw King quite a bit (despite a few things that weren't quite right). Chris Pine could have been maybe a bit more... active, on the other hand his lack of emotion here is pretty much compensated by Aaron Taylor-Johnson's surprisingly interesting character and a very good Florence Pugh. However, nobody will probably watch it for them anyway, so more importantly, David Mackenzie has done a great job of creating the atmosphere of that nasty medieval era you really don't want to live in. It's muddy, it's cold, it's raining all the time, everybody's dirty and you die on the fly. It also plays on reality (or near-reality), so the battles are appropriately gritty but not overly explicit, and I never felt like the violence was an end in itself. Moreover, the final clash between the two armies is a real treat and it's a shame we can't enjoy it in the cinema. Unfortunately, however, the result shows that a lot of editing had to be done, and perhaps the entire middle third or the "Robin Hood" passage would have deserved a little more space. Overall, it's a good historical drama that's fun to watch, and there have been remarkably few of those in recent years. So for me, I'm satisfied. ()

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