The Good, the Bad and the Ugly

  • Australia The Good, the Bad and the Ugly (more)
Trailer

Plots(1)

Clint Eastwood returns as the "Man With No Name," this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of $200,000 and letting no one, not even warring factions in a civil war, stand in their way. (official distributor synopsis)

Videos (1)

Trailer

Reviews (11)

3DD!3 

all reviews of this user

English You see, in this world, there are two kinds of people, my friend. Those with loaded guns and those who dig. So dig. Three gunslingers, one treasure and maybe the best western that I’ve ever seen. This time it’s the ugly Eli Wallach, who accidentally gets involved with the American Civil War, who holds the story together. Lee Van Cleef’s Angel Eyes stands a little aside from the main story line, but he makes up for it with almost textbook villainy. And there’s Blondie Clint who, with Leone, thought up the climax to this dollar trilogy. Including the surreptitious return of the scruffy poncho to the game and the breathtaking three-way duel in the finale. ()

Lima 

all reviews of this user

English An interesting story, straightforward and perfectly resolved. Morricene's catchy melody got under my skin again, Clint had charisma to spare in his younger days and Eli Wallach as the bad guy you actually root for is great. But it lacked something, something very little, to be perfect and I couldn't help comparing it to the brilliant Once Upon a Time in the West. The latter is a flawless five-star affair, this one has a few lapses in logic and especially a strange plot insert with armies fighting over a bridge, where Eastwood and Wallach went about as if they could not die. Otherwise, no complaints. ()

Ads

kaylin 

all reviews of this user

English A brilliant western, which has almost 50 years behind it, but that doesn't change the fact that it is the most extensive and at the same time the best part of the "Dollars Trilogy". We can talk about a trilogy, but we can't really say it directly. The films were presented at the moment they first reached the States because the studio could make more money that way. People will go to see three films that are part of a series rather than three unrelated films. After all, there is definitely a connection here. The first is director Sergio Leone, the second is composer Ennio Morricone. These two had to come together because otherwise the world would be deprived of great films with absolutely unbeatable music. The music here is not a classic soundtrack where you hardly notice it, but it's something that elevates the film. Its tones are what shape the scenes in some moments. This is true especially in the opening part, but it really got me in the final part, when the decision is made about who will actually get the treasure. The duel of the three gunmen is absolutely perfect here. It is an incredibly long scene and it is the music, along with the camera, that keeps you in suspense. These are the kinds of films that are worth spending three hours on and watching because these films made history. Sergio Leone had a fairly simple script. A trio of men who can never get along must proceed together because otherwise they will never reach the great treasure of Confederate gold buried by a soldier. This is the plot that is reached after about an hour and a half. Sergio Leone perfectly describes the characters and their destinies. Without that half-hour introduction, we would not understand the motivations of each character. It is absolutely necessary for the story and in this case, the three-hour film is definitely not boring or offensive. Sergio Leone also chose great actors - Clint Eastwood, Lee Van Cleef, who plays a completely different character than in the film "For a Few Dollars More", and finally Eli Wallach, who played the rogue Tuco, Eastwood's companion in many misdeeds, but also a person who cannot be trusted and who is closer to a noose than he would like. This trio, no matter how pleasant it may seem to you, guides you through the whole film. Wonderfully written characters, wonderfully acted. Each of them is different and each of them is actually a decent scoundrel. Together, they work perfectly until the very end. The film did not receive any Oscars, after all, it was an Italian western. Ennio Morricone did not receive an Oscar for the music, although he had five nominations, and Sergio Leone was not even nominated. Yes, the Oscars are primarily for Americans. It is changing lately, but I start to feel like it's sometimes too much of a comedy. We'll see what this year's Oscars will look like. Given that I also consider it a significant event, I will be watching it. If you like films that are not about romance, but rather about men who are capable of drawing their guns incredibly fast, watch this three-hour opus. You will see very little better in a western, and ultimately in film in general. More: http://www.filmovy-denik.cz/2013/02/now-is-good-stand-up-guys-bourne-30.html () (less) (more)

wooozie 

all reviews of this user

English The Good, the Bad and the Ugly is not only a perfect conclusion to The Dollars Trilogy, but it is also an absolute gem of film history. Every aspect of this epic film is phenomenal, with each viewing as unique to me as the first and you just can’t argue with the claim that it is perhaps the best movie of all time. ()

Othello 

all reviews of this user

English An absolute pinnacle of filmmaking. And probably one of the works that had the biggest influence on me early on in my film development. I remember back then being hypnotized by the overlong images, the minimalist dialogue, the stylistic mannerisms on the small TV at my parents' cottage. I for the most part didn't know much about what any scene was about until now, and it didn't matter at all. Even a few minutes after watching it, the film feels a bit like a dream. Leone wasn't just rewriting western canons, he was writing general formal laws of the genre that are still in use to this day. And not just in film, but in comics and video games as well. The work with character attributes (Eastwood's casual attitude compared to Wallach's neurotic approach, Tuco's signature custom gun), the purely superficial building of iconic shots (the gunslingers slowly disappearing into the dust after the explosion), the naturalistic cynicism ("Sorry Shorty. "), or, for example, the seemingly pointless battle sequence, which in its perfectionist handling of extras and set pieces faithfully recalls wartime illustrations of the American Civil War. Superficial Mannerist cinematography at its finest. Coppola's attention to detail, Tarkovsky's patience, a pulp story. Plus some purely music video passages, of which this is the leader, quite understandably. ()

Gallery (175)