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A summer night in 1962 becomes the focal point in the lives of four small town California teenagers as they face decisions, both immediate and long term, about the directions of their lives. Steve, wants to break up with Laurie, his devoted high school sweetheart and pursue new experiences away from home. Curt, is hesitant about going away to school and leaving the comfortable, familiar surroundings of family and friends. John, tries to maintain his "too cool for school" image as a hip guy, but can't seem to shake a nagging awareness that life is somehow passing him by. Finally, there's Terry, the nerdy wannabe trying to fit in but who still manages to screw up. During the course of the evening, their individual stories intertwine and separate. By the next morning, their lives will be changed, some only temporarily and some for a lifetime. (official distributor synopsis)

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Reviews (7)

kaylin 

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English Or how George Lucas introduced himself so that regular audience could bear it. It must be said that I didn't really expect much from the movie, it's still essentially just a film about American youth, but it's a surprisingly good film that shows how the youth lived and what they wanted or didn't want. It's human, it's very well tolerable, and you wouldn't even think that this person will later direct "Star Wars". ()

D.Moore 

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English If I had to guess whether George Lucas debuted with THX 1138 or American Graffiti, I'd probably pick this film because it feels more independent to me, less ambitious, and there's not as many memorable directorial ideas in it (for example, the car crash is completely sloppy). But it's not about how the film looks, but rather what it's about, and as a testimony of youth on the doorstep of the Sixties, it's really great. Almost Forman-like. The atmosphere of a hot summer night, during which there are various partings and meetings, is really good. I don't want to pick the one I liked the most from all these stories, but if I had to, it would be the one with Richard Dreyfuss looking for an enchanting beauty. ()

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POMO 

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English Youth, fun, hormones, cars, the life ahead. American Graffiti is an endearing look into American youth culture in the 1970s. Practically the whole movie is made up of a few guys and girls cruising in a small town. It is not only nostalgically naïve, refined and pleasant, but also historically valuable. In how many films can we see the now-great director Ron Howard in one of the lead roles or the young rookie Harrison Ford as a rakish redneck? ()

gudaulin 

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English To fully enjoy Lucas's film, I would have to be a few years younger, or a few years older. It is a film about American teenagers for American teenagers. There is no sensitive exploration into their lives. Fast cars, aimless wandering, first love experiences, and boys' rivalry - in short, the usual offer for this age category. This piece from overseas really doesn't have a lot of depth. If I give it 3 stars, it's only because of the enjoyable soundtrack, which features quite famous tracks, some of which can be considered part of the golden age of pop music. Overall impression: 60%. ()

novoten 

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English The best film by George Lucas. It's a great shame that he forever devoted himself to a galaxy far away and a certain adventurer with a hat, because here he was able to perfectly create a small-town atmosphere in the intimate genre and tell a story with all aspects of a socially-existential drama, while also being a sufficiently light-hearted teenage comedy. The key is that until the very end, it's not clear which level the script will lean towards. Whether it will let the heroes mature definitively over the course of a single night or give them a painful lesson. And perhaps, it can do both completely effortlessly. ()

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