Extremely Wicked, Shockingly Evil and Vile

Well, just yesterday I was complaining about the tendency to sensationalize heinous criminals on the silver screen, and here we are again. The film centers around Ted Bundy, but his crimes seem almost secondary. Instead, the creators chose to highlight how disgustingly charming that bastard appeared (particularly to women). While they weren't wrong in their portrayal, I found their approach deeply unsettling. It felt like watching a film about Josef Mengele where they focus on his exemplary family life, his appeal to women, and how dashing he looked in his SS uniform, only briefly mentioning his penchant for experimenting on people and deciding their fates by the thousands. Wouldn't that be a pleasant watch? Absolutely not. This film disappointed me primarily because it seemed to glorify this charismatic asshole (and I won't apologize for that word) who tortured and murdered women for sheer pleasure, without the film giving adequate attention to his victims. If I had known any of his victims personally, I doubt I could stomach watching this until the end. / Lesson learned: Murderers aren't rock stars; they're killers of innocent people. (03/27/2022)

You should definitely be prepared for the fact that the new treatment doesn't focus on Ted Bundy's rampage, but rather on its consequences, and I was very happy with it. Zac Efron has one foot in the electric chair and one foot in the Oscar, because not only does he give his best performance to date, but he will also stay in your memory for a long time. He will surprise a lot of people here with his acting qualities. The film more or less avoids violence and we follow Bundy's trials, his escape from prison and his relationship, and the most interesting thing is that his girlfriend had absolutely no idea what he was. It's got a very nice pace, a decent retro vibe, perfect courtroom scenes where Bundy confidently defends himself and downright wipes his ass with the judges, the lawyers and the whole proceedings. It's interesting that you are more or less rooting for Bundy, because he's likeable on the surface and he is very eloquent, but we all know he's a man who doesn't belong in society. The film is also decently emotional at the end and the acting is absolutely spot on. For me, a nice surprise this year, but not everyone will be happy with this version. 80% (05/04/2019)

Excellent work in terms of topic and screenplay. The same may be said of the two main characters, Z. Efron and L. Collins, one of whom gave a wonderfully in-depth studied performance which was almost completely flawless and the other presented a really dramatic struggle between feelings and conscience. I hadn’t heard about the real events before seeing this movie and I liked how the filmmakers left out the violent part, concentrating more on the main hero and demonstrating why he was so admired and popular. This movie really is worth seeing. (12/13/2020)

This is an interestingly grasped and successfully made profile of a madman capable of hiding his true personality almost even from himself. The film does not show a single Bundy murder and only depicts his deceptively “normal” position. If it weren’t for two hints of his dark nature, it would appear that he perhaps wants to deny the accusations against him. Efron turns in an entertaining performance with his portrayal of Bundy’s wily adroitness as a law student in the courtroom. And it is emotional with the story of his girlfriend, torn by the inner conflict between being in love and doubts/fears that she might be wrong in believing in his innocence. Her situation is the film’s dramatic engine. (01/22/2020)

A bold piece of filmmaking aimed at pissing off everyone who went to see a movie about Ted Bundy. A film made from his fabricated point of view as an intelligent, young, charismatic, and most importantly, innocent handsome man who, thanks to the aforementioned parameters, uses his persuasiveness to gather fans from the ranks of violence freaks, who in turn are pinned to him by the idea of a public trial filled with lurid descriptions of the details of Bundy's actions. Acts that we, on the other hand, see virtually nothing of and for the most part aren't even mentioned throughout the film. And implies that if we have a problem with that, we might as well get in line behind the wacky fans of this murderous celebrity. In fact, the film ultimately turns its full attention at the end to the tragic figure of Bundy's girlfriend, actually his biggest victim, who has lived for fifteen years wondering who she was really hanging out with because even Ted is unable to redeem her to the last moment with the truth. Whatever that is. Berlinger's film isn't very well made, it contains some downright idiotic scenes (the dogs successfully identifying the killer), and the casting agency party that led to this cast will take at least a week to recover from, but it's a respectable treatment of a certain uncomfortable thesis that boldly identifies the very specific hypocrisy that applies to almost every one of us who saw the film. And that concept is worthy of respect in our infantile pop culture zeitgeist. (08/23/2019)