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With his debts mounting and angry collectors closing in, a fast-talking New York City jeweler risks everything in hopes of staying afloat and alive. (Netflix)

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3DD!3 

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English Uncut Gems is almost unpleasant to watch. A spiral of self-destruction (with the very best intentions, of course) with the excellent Sandler in the lead role. The incredible pressure of an evil and raucous world conveyed through the “hero" to the viewer with unbelievable intensity. Lies, crooked deals, basketball, gambling, infidelity and contempt and the entire world plotting against one person who deserves it like no other (but you’ll still be keeping your fingers crossed for him at the end). A morality tale about gambling and something extra, and a reflection of modern times. ()

Othello 

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English It's a bit of a paradox that this hyperkinetic street thriller actually feels anachronistic today, because it actually tells a story set against the backdrop of old New York City, the face of which has been heavily transformed over the past decade to suit the lifestyle of young yuppies, giving the whole glorious big-city street-life a pretty big beating. Even as a kind of reminiscence of those times, we can enjoy the depth and muted colours of a thirty-five-millimeter film in the hands of the most talented, Darius Khondji, who desaturated the colors of, for example, The City of Lost Children or Se7en. It's ironic that the Safdie bros meet exactly the demands of a predatory young directorial duo, but that's mainly because of how they ignore the formal developments within the last, say, fifteen years, after the widespread advent of digital. ()

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lamps 

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English Like Good Time, Uncut Gems is a movie self-absorbed in its own showiness, but this time the formal tricks are more effective in engaging the viewer into the never-ending tangle of the swearing, the questionable decisions and the persecution that characterise and shape the protagonist. The highly subjective narration that hardly leaves the hysterical Howard creates, together with his questionable nature, a very unpredictable chain of events where every gleam of hope is repeatedly negated by another stupid decision, which smartly culminates in a black-humorous but incredibly raw and dynamic climax. Adam Sandler is perfect, and perfectly cast, few others can handle unstable characters as well as he does. The music is irritating at times, but after a while it merges with the unorthodox focus. I doubt I will ever watch it again, but to watch once it’s almost perfect. 85% ()

EvilPhoEniX 

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English The best directorial feat by the Safdie brothers and the best serious role by Adam Sandler, who fits the part like a glove. It's a very whiny film without any positive characters. Sandler owed perhaps everything he looked at and I thoroughly enjoyed his crazy gamble. Julia Fox was also great to watch, she is an unknown actress to me, but I was wiping saliva off the table during the garter scene. The finale is intense and unexpected. I enjoyed it. PS: the scene with The Weeknd was fun.8/10. ()

POMO 

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English Uncut Gems is a high-octane, energetic film about the pursuit of money, also with the aim of getting out of a bad situation (debt). It is original primarily thanks to its electronic soundtrack, which sounds like something by Vangelis on ecstasy trying to imitate Atticus Ross. In the longer opening scene, where the music is just as loud as the dialogue, it is literally distracting. It comes across as a flawed soundtrack, to the point that you have the compulsion to grab the remote control and adjust something. It's an unusual way to dynamically engage and draw the viewer in. Used more sensitively later in the film, the soundtrack becomes a significant element of this distinctive cinematic experience. And the same can be said of the setting and characters. The directing duo’s protagonists are no angels and they all have character flaws (cheating on their wives and defrauding their business partners, ruthless greed). Despite that, we keep our fingers crossed for this one, because in the world of loan-sharking and black marketeering in which he operates, it couldn’t be any other way. The unfiltered depiction of this world, and in the Jewish community at that, makes this film unique and its makers courageous. ()

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