Miluji tě modře
Directed by:
Miloslav ŠmídmajerCinematography:
Asen ŠopovComposer:
Markéta IrglováCast:
Václav Jílek, Denisa Nesvačilová, Taťjana Medvecká, Vladimír Kratina, Rostislav Novák ml., Marek Vašut, Hana Vagnerová, Oldřich Vlach, Tereza Bebarová (more)Plots(1)
33 years old David Bárta lives under one roof with his mother, who is obsessed with yoga. He has faithless father who keeps giving him experienced advises how to date women. Additionally he gets fired from his job in the National gallery. Nevertheless the true earthquake is still waiting for him. In a jewellery shop window he meets a dresser Tereza, a wonderful human being, who he falls in love with on the first sight. However Tereza has a boyfriend - Igor - artist, lunatic and very jealous one, who is very skilled with knives. Yet David keeps trying to make Tereza interested in him and get her sympathy. It looks like he might actually make it, but suddenly Tereza disappears... (Bioscop)
(more)Reviews (3)
A romantic comedy from the estate of Jaroslav Papoušek? Czech cinema has seen many things, but this is perhaps the first time. However, it is not exactly a loss. We have not had a romcom from the National Gallery environment before.
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I have absolutely no idea why Czech filmmakers are constantly complaining about the lack of funding when the money is invested in such crap. The script was awful, the acting performances and direction followed suit, the dialogue ranged from dumb to retarded, and I couldn't believe my own senses. Hopefully, a new film won't be made every time Baileys and Bohemia need to advertise their products and a couple of models need to air their silicon "enhanced" qualities. An absolute disaster and the bottom of what I saw today (and what a terrible day it was...).
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As for the screenplay, I haven't encountered a bigger mess in a long time. As the title suggests, the movie is aimed primarily at women, so I really don't understand why there is so much nudity, which suits more a male audience. And add to that the somewhat desperate performances of almost all the actors involved, then the only one who I can praise is Markéta Irglová, who took care of the quality background music. (25%)
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