The Highwaymen

Nice but bland, The Highwaymen is a safe bet. Any hopes of originality for this version of the famous story die in the first third with the clichéd exposition of the main characters. And the rest of the movie does nothing to counter this assumption. But it’s not boring - Costner and Harrelson hold the movie together with their performances and Costner’s talk with Bonnie’s dad (William Sadler) goes deeper. The final shootout wasn’t all that hair-raising in real life, so the movie cannot have the epic climax that a flick in this genre needs. (04/17/2019)

A wholesome homage to westerns that revives classical traditions like its likeable heroes. Viewers hungry for shootouts and darkness won’t be satisfied, but the neglected fans of the kind of genre flicks that back in the day were created like on a treadmill should be elated. If you liked the recent Hell or High Water and don’t mind an even more sedentary approach, this should be the film for you. And although a deeper look into the psychology of the characters, giving them more original conflicts, and not relying so much on proven templates wouldn’t have hurt, I actually enjoyed the slightly generic concept, I felt good in the company of the heroes and at one point I had no problem accepting the pace and the ambitions. Costner and Harrelson, especially, are very good, and Hancock was a surprise. (04/01/2019)

After Triple Frontier, Netflix pulls another ace from its sleeve, a macho western/gangster flick set in the 1930s, where the excellent Texas Ranger duo of Kevin Costner and Woody Harrelson are hot on the heels of the legendary Bonnie and Clyde. John Lee Hancock perfectly captures the feel of 1930's American South (the costumes, the cars and the guns a thing of beauty) and it's safe to say he gave the two stars a chance for a solid comeback, as they both do an excellent job. In terms of direction, acting, visuals and atmosphere, the film is flawless, the only issue may be the slower pace, but I had a decent time throughout. The highlights are definitely Costner purchasing a gun, Woody's solo in the bathroom, the bandit story and the final carnage. "Clyde might be the king, but I am a Texas Ranger! You little shit!" 80% (04/02/2019)

An atmospheric, non-action crime film set in the 1930s that bears a little resemblance to Untouchables and Public Enemies in terms of expression, but falls short in terms of direction, scene composition, escalating tension and action. Costner and Harrelson are the draws and their cynical duo is the highlight of the film. Unfortunately, the main villains are given woefully little space and everything around them is basically insufficient. Not great enough as a robust crime drama, OK as an intimate drama between two obsolete detectives, but the ambition was obviously higher. But Netflix can check it off the list anyway. (04/10/2019)

Classic storytelling, a captivating visual aspect and precise acting performances. Pot-bellied Costner is an uncompromising tough guy and Harrelson delivers the necessary human dimension, where his story just before the end works much better than the climax, when they shoot Bonnie and Clyde full of holes. Hancock smuggled into the picture a dig at the current state of affairs, where the masses and the media deserve nothing but contempt. The slow tempo with emphasis on depicting the characters works excellently and Newman’s music is very nostalgic. This type of picture is woefully lacking at movie theaters, like meat in a veggie burger. (04/12/2019)