Free Guy

The atmosphere of Ready Player One visibly radiates from Free Guy, and even though Spielberg's film was much more playful and polished, “Guy” still has its appeal and manages to entertain, thrill, and even move a little bit during its nearly two-hour running time. The film's premise is certainly engaging and despite a few minor quibbles, I was satisfied with its execution. Like RPO, there are more than a few pop culture references and humorous innuendos, especially provided by the main character, Guy. At times the plot was so bizarre that I wondered if Taika Waititi (Antwan) had a hand in the script, while at the same time it felt like a PG-13 version of Deadpool here and there. Ryan Reynolds is a likeable guy and the hitherto virtually unknown Jodie Comer provided a great second to him. Waititi was perhaps a little too theatrical, but whatever. The point about the (un)importance of the individual and the equal chances for each of us was a bit too on the nose, but nicely delivered. (08/28/2021)

Finally, someone found the balls to film GTA in all its glory and put together some healthy sophisticated romance onto it with nonchalant elegance. A great portion of fun, which is a bit hurt by the dodgy visuals and uneven pace, but it is reliably compensated by a well of great directorial ideas and the traditionally fun Reynolds. (09/29/2021)

A pleasant relax movie. A multi-player game of GTA filmed with real people with the message that you can do whatever you want that rides on Reynolds’ crazy humor and wild action scenes. The laid-back, optimistic atmosphere isn’t what I would have expected in the world of Grand Theft Auto, but I enjoyed it. Waititi’s villain must have seemed like a really exaggerated caricature, but he delivers in style... (09/28/2021)

I like The Matrix comparison a lot, because it illustrates the transformation of the perception of pretty similar themes. The Matrix is about the problem of disconnection from an oppressive system, Free Guy is a film primarily about adapting to oppression and ultimately defends the artificial system. It pretends to be an anti-capitalist fable, with the antagonist, the evil businessman, ultimately being punished by the invisible hand of the market. Similarly, it pretends to be a film about the need to break free from repetitive mechanisms, but in the end it merely replaces them with other repetitive mechanisms. And no, it's not a conscious thing. It offers all this with the white-knuckled grin of a podcaster trying to sell you his Kickstarter project with artificial enthusiasm. Cyberpunk dystopia has been around for a long time, and it's pretty faithful to its predecessors. Yet they still failed to appreciate that such a reality would look not like decimated metropoles but like ubiquitous sunny franchises full of coolness and camaraderie, because they apparently didn't think to work with the powers of marketing capitalism at all. Thus, twenty years after young directors succeeded in making prescient science fiction about how humans are unable to disconnect from the system through which machines have discovered, among other things, that the human condition is defined through suffering, we are faced with a conformist blah film shot like a Starbucks commercial that tries hysterically to pretend how fresh and young it is. Except it's devotee shit from a 50-year-old director with a 45-year-old protagonist, made for the assured man-children on whom the whole system rests and whose idea of resistance is Movember and dry February. Oh, and it's 80% on Rotten Tomatoes. So shoot yourself immediately. (11/09/2021)

The greatest chance of success that Free Guy has is with gamers around the age of ten, ideally those who play GTA and Fortnite, and who will surely grunt with delight. Otherwise, this is, in every respect, a half-hearted action comedy starring Ryan Reynolds with solid yet forgettable action, a below-average comedy element (pop-culture references and acting cameos are no guarantee that a joke will work and the attempt at striking one-liners misses the mark), and a formulaic story slapped together from motifs that have been seen many times before with better execution. Unlike The Truman Show, Free Guy doesn't work with any satirical level or deeper idea and it looks like Ready Player One’s much poorer and less imaginative cousin in terms of content; overall, its closer to the new Jumanji, with which it shares the inconsistency and ambiguity in the rules of its own fictional world and the ambition to entertain only casually without trying to have any kind of reach. In this respect, Free Guy works as light summer action entertainment thanks to, among other things, the professional technical aspect, an endearing subject about the lives of the game’s NPC characters and a likable cast. Nevertheless, it’s rendered in a way that doesn’t even come close to fully utilizing its strong potential. The result is that wherever Free Guy wants to be fateful, complex and absolutely thrilling, it remains only half-baked, superficial and generally mediocre. (08/15/2021)