Plots(1)

A bank teller who discovers he is actually a background player in an open-world video game, decides to become the hero of his own story…one he rewrites himself. Now in a world where there are no limits, he is determined to be the guy who saves his world his way…before it is too late. (20th Century Fox)

Videos (9)

Trailer 1

Reviews (10)

Othello Boo!

all reviews of this user

English I like The Matrix comparison a lot, because it illustrates the transformation of the perception of pretty similar themes. The Matrix is about the problem of disconnection from an oppressive system, Free Guy is a film primarily about adapting to oppression and ultimately defends the artificial system. It pretends to be an anti-capitalist fable, with the antagonist, the evil businessman, ultimately being punished by the invisible hand of the market. Similarly, it pretends to be a film about the need to break free from repetitive mechanisms, but in the end it merely replaces them with other repetitive mechanisms. And no, it's not a conscious thing. It offers all this with the white-knuckled grin of a podcaster trying to sell you his Kickstarter project with artificial enthusiasm. Cyberpunk dystopia has been around for a long time, and it's pretty faithful to its predecessors. Yet they still failed to appreciate that such a reality would look not like decimated metropoles but like ubiquitous sunny franchises full of coolness and camaraderie, because they apparently didn't think to work with the powers of marketing capitalism at all. Thus, twenty years after young directors succeeded in making prescient science fiction about how humans are unable to disconnect from the system through which machines have discovered, among other things, that the human condition is defined through suffering, we are faced with a conformist blah film shot like a Starbucks commercial that tries hysterically to pretend how fresh and young it is. Except it's devotee shit from a 50-year-old director with a 45-year-old protagonist, made for the assured man-children on whom the whole system rests and whose idea of resistance is Movember and dry February. Oh, and it's 80% on Rotten Tomatoes. So shoot yourself immediately. ()

POMO 

all reviews of this user

English This feel-good Disney hybrid of The Truman Show and Tron has a nice portion of enticing romance and action in the spirit of Ready Player One. It’s nicely cast and pleasantly colorful, with typically appealing cliché elements and some fine ideas. But the dramatic framework, with the characters’ motivations and reasons for doing what they do, is a bit slapdash. But it’s my problem that I want such a movie to be logically fleshed out and everything in it to make sense. ()

Ads

JFL 

all reviews of this user

English Free Guy is Tron: Legacy strained through the sieve of Idiocracy, but instead of satarising bullshit, it gives the illusion of freedom with an ingratiating corporate smile. Free Guy shows the absurd degradation of the ideals of cyberpunk into a mediocre tale for a generation weaned on social-media myths about the exclusivity and brilliance of every individual. The film’s messianic romance, financed by the mega-corporation Disney, which is something that William Gibson never dreamed of, performs a diversion manoeuvre in the form of a cartoonish villain, while shoving prefabricated illusions, bought-off YouTube stars and its own bling down the throats of its adolescent target audience. It is also starting to be sad how Ryan Reynolds is becoming a slave to his doggedly constructed image as a bad-boy nerd as he begins to embody the cliché of 40-somethings playing young men chasing after would-be broad-minded women in their twenties. ()

Stanislaus 

all reviews of this user

English The atmosphere of Ready Player One visibly radiates from Free Guy, and even though Spielberg's film was much more playful and polished, “Guy” still has its appeal and manages to entertain, thrill, and even move a little bit during its nearly two-hour running time. The film's premise is certainly engaging and despite a few minor quibbles, I was satisfied with its execution. Like RPO, there are more than a few pop culture references and humorous innuendos, especially provided by the main character, Guy. At times the plot was so bizarre that I wondered if Taika Waititi (Antwan) had a hand in the script, while at the same time it felt like a PG-13 version of Deadpool here and there. Ryan Reynolds is a likeable guy and the hitherto virtually unknown Jodie Comer provided a great second to him. Waititi was perhaps a little too theatrical, but whatever. The point about the (un)importance of the individual and the equal chances for each of us was a bit too on the nose, but nicely delivered. ()

Necrotongue 

all reviews of this user

English Since my motor skills aren't what they used to be I spend most of my days watching movies and (who knew?) playing online games. So Free Guy was just the perfect thing for me. In the game I'm currently playing the most, NPCs don't get eliminated, so I didn't have to feel guilty and could have a lot of fun watching Guy's fate. It wasn’t hard to enjoy this movie, because the writing wasn't bad at all, the cast was multicultural but the choices made sense, the dialogue wasn’t dumb, and Dude had the best unscripted lines I've ever heard. It would have deserved five stars if it hadn't been for the clumsy romance that slowed down the pace and the inspirational speeches followed by typically American "spontaneous" applause. ()

Gallery (28)