Troy

Troy is notable primarily as a case study on how Hollywood adapts a classic work with countless characters, motifs and both supernatural and earthbound elements into the form of a spectacular mainstream popcorn epic needing fewer characters, a few cleanly resolved storylines and, mainly, the omission of everything that could be off-putting for the supposed majority of viewers, i.e. everything from deities to non-heterosexual relationships. (09/14/2023)

Troy is definitely not bad and it has everything that a big-budget production can offer: young and attractive actors, solid war scenes and somewhat decent romance. Above all, it benefits from the stunning Iliad, although unfortunately it only took the rough skeleton and some essential events from it. The notable drawbacks are Diane Kruger and Orlando Bloom, who seem like advertising mannequins – completely unbelievable. On the other hand, Brad Pitt and Eric Bana are surprising. Wolfgang Petersen is more than a decent craftsman who can handle large budgets and thousands of extras. The ending is powerful and the voice-overs are extremely stylish and suitable for this type of film. It's necessary to see the Director's cut, it has gripping bloody battles and at least half a star up. (05/24/2004)

Homer did not deserve this. The Olympian gods didn't deserve it either. The screenwriter completely omitted them, thus depriving the famous story of its true spice, the element of magic and mysticism that so befits ancient epics. If there aren’t any gods or magic, what’s left? A script that is hackneyed, very distantly inspired by “The Iliad”, full of clichés, pathetic chatter and would-be deep thoughts, a boring story that doesn't grab you by the heart and is clumsily told. And there’s not even eye-candy! I just have to laugh at Petersen's talk of "unprecedentedly clear fight scenes", it's just the opposite and the very good Hector vs. Achilles fight doesn't save it. It's not surprising that all the essential fight scenes are seen in just the trailer. If I had to make a comparison, Scott's Gladiator, with about half the budget, looks much more narrative, and although the script was similarly silly, it was a real visual treat, which can't be said of Troy. A few computer-generated shots of the city and incoming ships, Petersen's lacklustre direction lacks any ideas, with rare exceptions. The music wasn't great either, and a few words about the actors: I believed Pitt's arrogant Achilles, Bana is incredibly charismatic, O'Toole is still a great actor, only Bloom, with his not very wide acting register, spoils it and regularly alternates between two expressions: a timid and stubborn. The boss at Warner was in tears during the screening. I wonder if it wasn’t for the desperation of where they burned those 200 million bucks. Poor guy. (05/16/2004)

A sugary parade of stars and spectacular fight scenes. The actors are decent and the production design is nice. The fight between Achilles and Hector may be the best I have seen in the genre, though that’s debatable. Troy doesn’t have even a fraction of the charm of William Wyler’s films and is nothing more than a calculated, technically brilliant popcorn flick. (05/13/2004)

An ambitious epic that stumbles over its miserable screenplay and idealess directing. A tirade of mediocre scenes and seeming ignorance of the myth make Troy an uninteresting attempt at a great movie which is closer to being a big studio sword-and-sandal Cecil B. DeMille epic than a modern movie intended for the big screen. ♫ OST score: 2/5 (01/29/2007)