Caught in the Net

Although I still can't get rid of the impression that there was primarily calculation in Caught in the Net, but when the result is ultimately what it is, I can't even hold it against the creators. If the situation is really one that surprised parents (as well as documentary-makers) don't realize the danger lurking for children on the internet, they need not only to be told, but in fact shown. And it's a really ugly and disturbing spectacle, and in places very suggestive from my point of view. I take my hat off mainly to the trio of actresses, but it's too bad that Anežka Pithartová got probably the least space, because I think she “played" the best with the callers. Her seemingly innocent questions did not have the slightest chance of peeking through, but the viewer, who knows what is going on, could perhaps enjoy how refined the traps are and the hunting accuracy the actress places them. (03/14/2021)

Caught In the Net will surely go down in the history of Czech documentary filmmaking (if it hasn’t already), because it deals with (how else) a very hot topic that I hope will not leave many viewers cold. Watching this straightforward probe into the virtual world of sexual predators, you will say WTF?! The makers and actresses definitely deserve a big thank you for their courage to tackle such an issue and translate it to the screen in an appealing and instructive way. In the course of a hundred minutes, you encounters all sorts of individuals, from perfectly harmless people to utter moral scum without a shred of empathy or judgement. I hope that the message of this bold undertaking will not go to waste and will make many people think. (02/28/2020)

As a standalone film, it wouldn't be as good or as powerful as the whole combo of a film for adults and juveniles, and a book and awareness. I am thankful for the clarity, playfulness and ugliness. This is exactly what was needed and I sincerely hope that a miracle will happen in some families. It is already clear that this is Klusák's second biggest notch after Czech Dream. (06/09/2020)

No matter what anyone says, this is a documentary that really makes sense. According to public feedback, it seems to be opening people's eyes. The most shocking thing to me is to find out how many perverts and sexual predators are around underage girls on social media. Unfortunately, the internet age is already choosing its victims and society should be careful not to make them too big. (85%) (05/31/2021)

A horror documentary. It’s horror not because such “predators” exist, but because of HOW MANY of them exist. What’s the response to that? Track down and lock up thousands or even tens of thousands of men, who are often probably fathers and the breadwinners of their families? That probably won’t work. But perhaps the hype that has grown up around this film will put the brakes on their outrages, at least for a couple of years. Klusák and Chalupová handled it superbly. I appreciate the ideas such as the clarification of the “nice face” to the strains of pleasant music and the last scene, which takes the escalating tension of the whole film to an emotional level, until the viewer’s hands tremble together with those of the filmmakers in front of the camera. (07/29/2020)