The Power of the Dog

Initial Impressions: Benedict Cumberbatch proves yet again why he's a stellar actor with an incredible voice, the cinematography was a standout in the film, and it seems time hasn't been too kind to Kirsten Dunst. As for the official plot summary, it caught me off guard; Phil Burbank didn't strike me as cruel. Sure, he had that ability to make your eyes water and your nose hairs curl upon first meeting, capable of being downright unpleasant, but "cruel" might only be seen that way by the generation of snowflakes who start crying over an untied shoelace. The main hiccup of the film? It felt like it was missing a plot. It was an honest two-hour yawn with sporadic moments of brightness. The pacing crawled along, the storyline felt uneventful, and even Benedict Cumberbatch couldn't salvage it; he needed a solid script to work with. / Lesson learned: Sorry, but Phil just wasn't a villain in my eyes. (04/01/2024)

Humble, beautifully filmed, full of dramatic scenery and subliminal tension, which is, however, quite forcefully injected by Johnny Greenwood's sometimes shallow underscore. Campion's script is unfocused and the plot, divided into fragments, doesn't create coherent dramatic tension, and in the end it kind of depends on the power of chance, and I therefore struggled with the point rather than lived it. The strongest motif is not the son's love for his mother or the misalignment of the two reclusive characters, but rather the relationship between the two brothers, which quietly fades from the plot after about half an hour, much like Jesse Plemons outplaying the rest of the cast. The result is a diet broth of There Will Be Blood and In Fabric. An elegant piece that barks but doesn't bite. (12/08/2021)

A film where the protagonists look at each other in different acting positions and almost all the time, where the music supports the overall tension and a kind of invisible suspense, with the camera taking rolling panoramas of Montana. A lot could happen, but in the end nothing really does. A poorly made film by a director who obviously wanted to replicate the fragility and poetry of Pian, but incorporating it into a gritty western doesn't work. I don’t get the Oscar, I believe it put to sleep more than one viewer. And it almost put me to sleep. (04/19/2022)

Burbank, played by Benedict Cumberbatch in a devilishly nasty yet hypnotically appealing performance, is a character that hasn't appeared in a film since perhaps 2007, when There Will Be Blood and the oil-soaked Daniel Plainview, played by Daniel Day-Lewis, burst into cinemas. The Power of the Dog is a fascinatingly odd film, where you suspect every minute that something terrible is going to happen, and it usually does. Those who want a classic western, or even a modern western, go elsewhere. Those who want a dense, ruthless, ugly and dusty showcase of madness should wait for the right mood and put on Power of the Dog. (12/05/2021)

It's one thing to make a movie that's boring as hell whose every second is absolutely mind-numbing and unbearable. But when it’s combined with a totally off-putting soundtrack, a pathetic artsy narrative style, a seemingly profound story, and a terribly shocking punchline, then it becomes true "art". It can win all the film awards in the world, but from my perspective, none of them are going to polish up this turd. (03/07/2022)