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In the midst of World War II, as the tide turns against the Axis, a German U-boat crew is sent out to patrol the Atlantic and fire at Allied ships bringing supplies to England. The submarine also carries a press correspondent, there to report from the front lines of nautical warfare. Meanwhile, the crew's captain (Jürgen Prochnow) is becoming disillusioned with the Nazi regime and with war in general. What starts out as a routine mission is soon livened up beyond the crew's expectations when their boat's surprise attack on a convoy is thwarted by a fast-moving destroyer. Battered by depth charges, the crew must pull together to survive the attacks of their unseen enemy. (official distributor synopsis)

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Reviews (8)

Kaka 

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English Each character in the script has their own depth and each plays a smaller or larger, but similarly key role in the film. The outstanding actors also contribute to the excellent result. Jürgen Prochnow excels in the lead role of the captain, but he unfortunately drowned his promising career in B-movie waters. Wolfgang Petersen directed an atmospheric film that is probably still unmatched within the genre. ()

lamps 

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English Surprisingly, one of the best anti-war demonstrations took place in Germany, entirely under the sea, led by the charismatic devil Jurgen Prochnow, who then grew grey and was tempted by offers from the Führer Uwe Boll. Wolfgang Petersen steers his life's journey like a highly skilled craftsman, giving the viewer the foul stench of war and suffering with a perhaps slightly fluctuating but noticeable and admirable intensity throughout the 200 minute runtime. In the first two acts, we are thoroughly introduced to the characters of the protagonists and their insignificant, more or less unwanted wartime contributions, only to end up biting our nails and keeping our fingers crossed for those desperate Nazis in such a way that we get bruises. One can only bow deeply to the excellent claustrophobic production design, the clever script with a clear message and the heroic performance of all the actors, whose hirsute and frightened faces pretty much speak for themselves. 90% ()

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Marigold 

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English One of the greatest war films of all time and certainly the best submarine film the silver screen has ever seen. Petersen masterfully transfers emotions to the viewer – distress, fear, panic. This is not a glorified Nazi submarine fleet, but a disillusioning view beneath the surface of the war. Both the acting performances and the conclusion of the film, which is miles away from the pathetic finale of many war films, contribute to the suggestiveness... As I've written before: a film like this says a lot more about the horror of war than all of Saving Private Ryan and his dead brothers. ()

Lima 

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English Das Boot is the pinnacle of the war genre. Taking German cinema by surprise, it made a successful tour around the world and received a warm reception by audiences and critics. The scenes where the submarine tries to avoid depth charges are riveting and I definitely don't recommend them to the claustrophobic. And while the submarine didn't sink, the charismatic Jurgen Prochnow drowned his promising career in B-movie waters, which is a shame. ()

kaylin 

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English If only one submarine movie were ever made, and it was this one, it would be absolutely enough. Nothing else would need to be addressed, and nothing much else could even be added. This works incredibly well and manages to create exactly what it should - a claustrophobic atmosphere, fear, terrifying moments, but also compelling fates. And the Germans are really good at this, even in terms of acting. The running time doesn't seem excessive at all. Visually, it is fantastic. ()

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