Enola Holmes

A long-haired Eleven, a safe(?) Bellatrix and a no-nonsense Geralt in a film about the Holmes family, which neglects the figure of the famous detective and puts to the fore his "lonely" sister Enola, who is as fluent in the art of deduction as her big brother. In addition to the excellent cast, I was impressed by the unconventional way of narration, in which the main character directly addressed the audience, which gave the story a humorous edge. On the other hand, though, I have to say that I was probably expecting something more. I felt that its potential was not fully exploited. At times the film was perhaps a little too overtly feminist, but it was still an enjoyable two hours. (09/25/2020)

Tedious, self-aware/feminist hogwash mixed with a nice kids’ detective storyline that's slightly reminiscent of Harry Potter. Enola Holmes is blessed with a pleasant cast, but unfortunately the directing makes it difficult to find your bearings in the plot, occasionally leading the viewer up blind alleys where they run up against a brick wall, wondering if they missed something. Otherwise, it's a tasty TV snack whose most interesting aspect is Cavil’s Sherlock. (09/23/2020)

Cute family entertainment where I initially predicted a max of 50% and lo and behold Netflix has another positively received film. Millie Bobby Brown is a great young actress who has already shown her talent in Stranger Things and she only confirms it here. There's not much action here, it's more of a drama with nice production design and a nice period London. Enjoyed it, but it's targeted more for a younger audience. Story***, Action**, Humor**, Violence>No, Entertainment****, Music***, Visual****, Atmosphere***, Suspense**. 6/10. (09/24/2020)

A playful and a smart-mouthed mixture of a child's (or girl's, if you want) adventure/emancipation in the world of grown-ups and basic Holmes proprieties all in one package for the whole family. And everyone involved is obviously enjoying it. Enola's character sometimes flirts with too much “Mary Sue style", but never to the point of being annoying and definitely no more than Sherlock did himself in his time. So at least it stays in the family. It does not reach the quality of Young Sherlock Holmes, but it is cut from the same cloth. The most detrimental thing is the unnecessarily long running time, during which the three main storylines will never be connected. And so the first, second and third are resolved independently. However, not together, but at the expense of the other storylines. Overall, however, this treat is so tasty that there should be more of it in the future. I will at least taste it again. (09/23/2020)

Millie’s awesome in this one. I truly mean that. The only virtues of this spectacle are the spontaneity of her acting together with Henry Cavill’s pleasantly subdued, charming Sherlock  and the cinematography, which is unusually lavish for a Netflix production. As for the rest of it, however, stay away from this in-your-face politically correct fable which tries hard to be woke. I certainly don’t have any qualms about the feminist movement, but this is too much “out of joint”; I always find it rather daft and removed from contemporary reality whenever female characters set in the 19th century fight like men or want to fight like men. The net result is merely a political statement by today’s Hollywood studios, of the kind that has become fashionable these days. (09/23/2020)