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Ten years have passed since Dr. Hannibal Lecter escaped from custody, ten years since FBI Agent Agent Clarice Starling interviewed him in a maximum security hospital for the criminally insane. The doctor is now at large in Europe, pursuing his own interests and savoring the scents and essences of an unguarded world. But Starling has never forgotten her encounters with Dr. Lecter, and the metallic rasp of his seldom-used voice still haunts her dreams. But Mason Verger remembers Dr. Lecter, too, and is obsessed with revenge. Verger was Dr. Lecter's sixth victim, and though hideously disfigured, has survived to rule a vast financial empire. Verger soon realizes that in order to draw the doctor out into the open, he must use someone Lecter cannot resist as bait: Clarice Starling. (official distributor synopsis)

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Reviews (9)

Kaka 

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English Comparing Hannibal with The Silence of the Lambs is nonsense, they are two completely different movies, their only connecting factor is the main character, Hannibal Lecter. It is clear that the visually talented Ridley Scott took on the directing duties, and it was not a mistake at all. The plot is much simpler and more linear, with more focus placed on combining visual elements (captivating Florence) and brilliant atmosphere (Hans Zimmer's music, excellent camera work). The opening raw shootout stands out in this delicately crafted film sore thumb. Anthony Hopkins benefits here primarily from his voice rather than actual acting, which may disappoint true Lecter fans, whereas Gary Oldman in the role of Mason is outstanding and the makeup artists once again excelled. ()

lamps 

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English Oh, man, this somehow went off the rails. Hannibal is far from a bad movie, but hand on heart, what would it all be worth without the evil Anthony Hopkins, who this time stole the show for himself and let others just clean up what he did? It doesn't make much sense either way, but at least it's appealing enough, beautifully atmospheric thanks to Scott's direction and Zimmer's music, and ultimately, of course, irritatingly debatable enough to give clever critics and fans of the first instalment plenty to talk about for a long time. And I can’t say I was disappointed. The absence of Jodie Foster was very hard to swallow and the script is not even close to the first one, but as a great admirer of Sir Anthony's acting I just couldn't get bored even for a moment. And Gary Oldman? You just have to see it. 65% ()

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Remedy 

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English As a standalone film, Hannibal (thanks mainly to Scott's imaginative direction) would certainly stand up better than as a sequel to Silence of the Lambs. I think what I missed most were the prison conversations with Lecter and Starling, which I really enjoyed in the first one. Hannibal is a much more action-packed, but also much less suspenseful sequel than its predecessor. The first had an excellent script and a mediocre director, the second has a below-average script and an excellent director – but the original wins hands down, despite the undeniable acting (yes, Hopkins is still just as demonically perfect) and directing quality (gorgeous shots of Florence and a great opening action scene). Julianne Moore was okay, but Jodie Foster delved much deeper and more impressively into her character. ()

D.Moore 

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English "What do you think? Does Lecter want to kill her, eat her, fuck her, or what?" - "Probably all of the above. It depends on the order." This is the sequel to The Silence of the Lambs, and it did not reach the high standard of its predecessor, but it does still have something to offer. Hannibal earned my attention with Scott's impressive narrative direction, the gorgeous Florence scenes, the unforgettable "nastiness"... Well, why not? "So what's it going to be - guts in or out?" ()

novoten 

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English Dr. Lecter returns in a bloodthirsty style, but satisfaction is not present this time. The worst possible start is all the actions of Clarice, who with her tired face, forced me to fall asleep with every line about "shooting at a woman with a child." Thanks to the perfect Hannibal and surprisingly skillful Liotta, the seemingly unnecessary movie eventually becomes a sufficiently thrilling thriller, but the lengthy silent parts condemn it to be labeled as a violently stitched sequel. ()

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