Deliverance

Boorman masterfully ratchets up the tension and fear. Already during the dueling banjos at the beginning I had a strange feeling, without any rational justification, that something was wrong. That feeling grew over time and then suddenly it came, like a punch in the face. The rape scene is impressive and vile, and I've rarely wished death on someone like I did on those two loathsome hillbillies. It's the premature climax of the film, the rest doesn't have that much power. (05/11/2003)

Pure Apocalypse or how a borderline situation in the wilderness does not make us noble and heroic beings, but rather frightened and sly creatures without morality. Originally a romantic pose, it degenerates into final images of total destruction - scenes from the vanishing city are a chilling commentary on the moral decline of the heroes. A film that is extremely physical and intellectually urgent in every respect - it breaks the traditional dichotomy of good and evil and makes the struggle for survival an ethical problem. It's great how Boorman uses the "prejudiced" resistance of the viewer to the backward mountaineers and thus actually puts him in the role of an accomplice, and how in the character of Burt Reynolds he challenges the archetype of a self-confident boy hero. It has aged only in a few technical respects, and it is otherwise a brilliant example of filmmaking with content and a harrowing atmosphere (the banjo duel is a typical sequence for textbooks). (03/17/2012)

Don’t expect a thrilling pace or even shocking violence, Deliverance is not as disturbing as they say. However, it can captivate both through its economical direction and the survival adventure, or fight for survival, which is presented in the most credible and rawest way, without excessive detours. I appreciate some of Boorman's tricks. For example, that key rape scene is accurately depicted, when the members of the trip encounter two wanderers, their gestures and movements beautifully indicate what is to come, especially when one of the locals touches the face and chest of one of the protagonists. The director delivers similar tension several times, and it is truly worth it. The acting is relatively even and overall quite impressive. However, essentially, it is a very simple and rather ordinary matter. (03/03/2007)

At first glance, it's a kind of seventies macho flick; at second, third, and fourth glance, it's a very cunning and psychological matter, which is about a great deal more than just someone getting revenge for something someone else did to them. The tension gets more and more intense, the four adventurers gradually take on different shades, the viewer has to ask himself how he would act in their place... Thanks to John Boorman and his rapid dives you will be transported directly to the scene of the action, and thanks to the impeccable cast led by Burt Reynolds and Jon Voight, you will live through it all and maybe even survive. (07/28/2020)

Sleep tight, it's nothing.... The most realistic survival in history, with which Boorman solidified a new narrative and thematic impulse in American cinema. Not as shocking, harsh and atmospheric as the contemporary Texas Massacre (which was also based on an unexpected confrontation between civilised people and a bunch of violent rednecks), but almost equally disturbing thanks to the unrelenting psychological pressure, which in some moments culminates into realms of genuine horror and disgust. A number of oft-quoted and famous passages (the opening banjo duel; the lengthy debate about what to do with the dead hillbilly) fully speak for the ageless quality of the direction, while weaknesses are found in the hammy dialogue and a bit in the narrative's build-up, whose climax comes shortly after the halfway point, and the last twenty minutes go completely beyond the established atmosphere and agonizing mental duress. I will sleep relatively peacefully, but if I were in the shoes of one of the survivors, I would probably think twice about falling asleep without a gun under my pillow... 80% (04/18/2011)