Amistad

I felt as if Spielberg couldn't catch the right wind in the sails. At times it’s very harsh, but there are also boring passages when the viewer is merely bored. Far from being as grand and attractive a spectacle as expected. And furthermore, quite unfriendly to the audience. (10/30/2004)

No one but Spielberg can make a film like this: spectacular, impressive and riveting. The sequences from the slave ship in particular literally sent chills down my spine and I even I devoured every word of Hopkins's long speech, something that doesn't happen very often. They should make more powerful films about human wickedness like this, though this one is actually unnecessarily long and slightly fragmented in its encompassing message. (04/06/2012)

Spielberg is a pro. No doubt about it. But his visions are sometimes greater than the reality. When it comes to Amistad, I can’t say that I was bored. But I can’t exactly say that I was having fun, either. This movie is told so precisely that it’s lacking any sort of self-preservation that would remind me that nothing all that interesting was going to happen throughout the two hours and a half that could potentially keep me awake. However, the biggest issue were the actors themselves. It’s not that they were bad. But they’re just kind of floating through the movie. They drew a breath and as soon as they breathed out, someone else was already on the screen. Nobody says anything distinctive that would make me interested in watching the rest of their life story. But after I’ve watched it, I realized that this wasn’t a story of people, but rather of a ship that was unlucky to voyage to America. Alas, a waste of wood… (04/12/2014)

This masterpiece by Spielberg has been accused of being a three-hour academic bore, for me it's a three-hour gripping tale with a truly excellent Djimon Hounson in the lead. The scenes from the slave ship are breathtaking, unforgettable. Together with A.I. Artificial Intelligence a very undeserved flop for Spielberg. (07/21/2002)

This film should have such a beautiful ending the moment the trial ends, but no, Spielberg has to push it to his pathetic perfection. One would be scared shitless by it. Yet it has absolutely brilliant scenes. When you think the whole time that McConaughey and Hounsou dominate the entire film, suddenly Anthony Hopkins comes in to prove his unique mastery to you. That is a person who knows how to convey pathos in such a way that you believe him. One of the few. (12/01/2015)