E.T.: The Extra-Terrestrial

My natural emotional defenses against cutely ugly windbags with funny voiceovers were not overcome, so I kept seeing a legless youth dressed in a costume. And it doesn't help that Williams has basically made an opera out of it, and the soaring loops don't let up for a minute throughout. But at the points where the real and memorable boyhood adventure shines through, it still works well, and I still experience the adult institutions as depicted visually in the film in exactly the same way. It's just a shame that instead of letting that suburban environment of broken families, junk food, broken toys, and unsupervised children bubble more in the background, the film focuses all its attention on the innocence of the protagonists, mirrored in the giant, virginal eyes of a friendly and harmless alien. (04/15/2019)

Spielberg is a director who can work wonderfully with human emotions and has the gift of creating a perfectly tailored family spectacle. He has kept a sizable piece of the romantic boy inside him, who never stopped loving fairy tales and simply started fulfilling his childhood dreams and visions as an adult. His E.T.: The Extra-Terrestrial is a fairy tale with an idealized visitor from outer space, the kind that many children want to meet. A decent screenplay, a suitable budget, and careful direction make E.T.: The Extra-Terrestrial a timeless spectacle, where both children and adults are moved by the alien visitor. Additionally, at the time of its creation, it was a fascinating visual spectacle. Overall impression: 60%. (01/05/2010)

That's right, when you don't remember anything and you're addicted to the digital atrocities of contemporary cinema (most of the FilmBooster users), you can't relate to a film like this. Taking inflation into account, it's the 4th highest grossing film of all time, but what makes E.T. the Extra-Terrestrial the most important film of the 80s is the response it got. A fairytale that brought everyone to tears in the cinemas, regardless of age (I witnessed it myself, even my tough father cried :o), at one time there was almost nothing else to talk about among people (only Sandokan and the series I, Claudius had a similar response in our country during the Bolshevik era), and a doll of E.T. was a must-have for every Czech family, and not only Czech – and I’m not even counting the failed movie clones that followed it. Simply, this film is a big phenomenon and anyone who says otherwise is lying. What’s most remarkable, though, is that it still works today (I have confirmation after today's Blu-ray screening). The way the whole film is essentially conceived from a child's point of view by the eternal child Spielberg, where we don't see the faces of the adults for the first two-thirds of the runtime (except for Elliot's mom, of course), the timing of each scene, and the gorgeous music by John Williams all make this film a unique affair that – unless you're a cynic, a jerk, or both combined – will bring you to tears at the end, too. (03/09/2014)

How else should I rate a film which showed me what a pizza looks like and that you can even eat it? But seriously, this film was the best of sci-fi for me until Terminator and The Thing landed on the video store counters. Watching it today convinced me that E.T. still has something to offer. I've already tasted pizza, so that’s one mystery less, but I had a great time just the same. The level of special effects thankfully doesn't reach today's "amazing" digital qualities, so I was able to enjoy a film that blew my mind in primary school, and I still like it very much. (03/08/2018)

The world of emotion that Steven Spielberg conjures up in E.T. could only have been created by a genius. How simply yet impressively he characterized the “bad guys” (ominous music + key ring), how he didn’t even need to look them in the eye and how he conceived everything from a child’s perspective...only a director who was born for this craft can do that. But...even though I have experienced E.T.’s story with all my heart and shed more than one tear while watching it, the film still lacks something more than just sincerely intended sentiment, something higher and something deeper. (05/20/2002)