Indiana Jones and the Last Crusade

This is my favorite part mainly because it features Sean Connery, who fits perfectly with Ford. In addition, there are Nazis and a fantastic meeting with Hitler. Overall, it's entertaining and very action-packed, especially the scene with the tank is simply divine. The search for the grail becomes somewhat irrelevant, as the journey is truly important here. (03/30/2015)

January 1992, a long line in front of the Lucerna movie theater in Prague, a ten-year-old me holding an ice cream, my dad, and finally the first Indy movie I had the opportunity to see on the big screen and not on a shabby VHS tape. As a whole, the movie is weaker by a Sphinx’s hair’s breadth or by one step taken by a breastfed pre-toddler than Raiders in terms of action, story, and the sidelining of Indy's friends (and enemies), but I realized this only after the umpteenth viewing. But all these trivial "problems" are erased by the other Jones. And thus for the third time Junior is at the peak of his powers and fully equipped. Simply love at first sight for a movie that did the impossible and exceeded my immense expectations. Respect. (08/20/2006)

Lucas' and Spielberg's apology for the dark pulp flick Temple of Doom, which paradoxically with its "white savior" concept was most in line with the original idea of conceiving Indiana Jones as the cliffhanger adventure short familiar in the 20s and 30s. As vocal as there were voices that adding another dimension to the central character by pinning his impractical father on him would rob Indiana of some of the mystery that surrounds him, on the contrary, the move was helped in particular by a noticeably aged original cast, the new wrinkles and tired eyes simply added a human dimension to the adventurers, not to mention the fact that after the second installment you quite welcome the fact that the sidekick is not a loose young girl lusting after Jones's sweaty, sweaty body between screams. Otherwise, again, the dozens of different sub-quests, the world locations we get to see, the tangibility and light-heartedness of the action, the beautiful framing, and the relentless torture of the crew in their quest to film the never-before-seen, it's still such a beautiful and forgotten cinematic discipline that I'm defining a special way of sitting on the couch that's just for this trilogy. The fourth installment never existed, you may even remember seeing it, but no, it was just a bad dream. This way it’s just fine. (06/02/2019)

Definitely the best part, with gripping pace, fantastic action, and a plot filled to the brim. The Holy Grail is also by far the most interesting trophy out of the three. There’s also a bit of mystery and humour. Sean Connery fits perfectly and together with Harrison Ford they form a phenomenal duo. Steven Spielberg bombards the viewer with the same visual spectacle, but it still has an impact. You are drawn into the story and don’t even notice the minor logical flaws, of which there are undoubtedly a few. Overall, funny and fast-paced, exactly what you expect from a summer hit. If only all threequels were as good as this one. (05/22/2006)

An incredible movie that definitively moved the series into the waters of immortality. The biggest credit for that goes to the light-hearted script and the perfect chemistry between Ford and the dry-witted Connery. Every scene between this duo comes together flawlessly, leading up to the final departure into the setting sun. (04/30/2006)