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In the year 2035, technology and robots are a trusted part of everyday life. But that trust is broken when a scientist is found dead and a skeptical detective (Smith) believes that a robot is responsible. Bridget Moynahan co-stars in this high-tech action thriller that questions whether technology will ultimately lead to mankind's salvation . . . or annihilation. (20th Century Fox UK)

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Kaka 

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English An effective and self-aware hit with a light philosophical undertone. In other words, one of the few smart, eye-candy popcorn movies of the new millennium. That has to be appreciated, whether the topic is your cup of tea or not. Still, it is a class lower than Minority Report. ()

POMO 

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English I, Robot is a spectacular, technically flawless action flick for mainstream popcorn fans, but even more discerning viewers will enjoy it. But any talk of highly intelligent entertainment in the mold of Minority Report is out of line. The film’s screenplay is simple and unsophisticated, with banal dialogue and a sizable portion of clichés. The screenplay is brought up to the level of high-quality entertainment only by director Alex Proyas, thanks to whom the result is dynamic enough not to be boring, and paranoid and disturbing enough to be enthralling. ()

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Marigold 

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English If it weren't so excessively cool, it would be the biggest sci-fi event since the launch of Spielberg's Minority Report. Directed by Alex Proyas, the film has a suggestive atmosphere and, surprisingly, a decent (albeit reduced) idea. Will Smith was cast to ensure commercial security, so his Del Spooner makes the film a bit of a macho zodiac. I don't mind the character as a whole, but some of the one-liners seem as natural in the context of the story as Zarathustra in public toilets. Nevertheless, I pay tribute to Proyas for the ease with which he was able to balance the compromise between the action show and the impressive sci-fi spectacle with a warning undertone... How easily he was able to incorporate impressive emotions and sequences worth remembering into the veins of the film. In the end, one tends to forgive even the several exaggerated fancy "matrix-like" scenes, and if you are not one of the uncompromising fans of Isaac Asimov, then with a bit of good will, you won’t be able to help but enjoy this perfectly filmed ride. Definitely a hot candidate for sci-fi of the year. ()

Lima 

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English A very solid film with flawless special effects that I believe will not become a sci-fi classic like, for instance, Blade Runner. It lacks a deeper dimension of thought for that, its ambition is only to entertain, nothing more. Which, of course, is no small feat, and it delivers without problem. The futuristic vision was very impressive, some of it really amused me, because the horizon of 30 years is not that far away, the creators really let their imagination run wild in places. Will Smith with his swagger is an advert for testosterone, some of the action sequences were outstanding (especially Smith's duel with the robots in the tunnel) and the whole thing ran like a Swiss watch without a hitch. Cool. ()

kaylin 

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English I saw the movie as a hot novelty in the cinema in 2004 and I was absolutely thrilled by it. As a sci-fi enthusiast, I have to constantly stand by the fact that the movie has an idea and by using Asimov's laws, it only points out the classic problem associated with robots. How far can we go with artificial intelligence before it turns against us? Well, the ending is a bit shaky, but otherwise, this is an excellent action ride with a good detective plot, and considering the movie is already 10 years old, it has great special effects sequences. ()

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